International Record Review magazine

Posted by: Chris G on 03 April 2015

I register my sadness at the demise of this excellent classical music review magazine.  This was a high quality publication and its reviewers wrote well and in greater depth than its competitor, the Gramophone Magazine.  Apparently it became insolvent on the death of its owner.  I do hope someone out there can take it over.  The classical music world is poorer for its closure.

Posted on: 10 April 2015 by George Johnson
Originally Posted by Chris G:

Dear George

Thanks for your further thoughts.  Boult was a very fine musician, an ultimate professional in the best sense of the word.  Barbirolli, though often more indulgent, was also a great conductor.  One of my favourite critics is Robert Layton - his writing on Sibelius in particular leads the field. 

To collect your observations about Boult, the consummate professional, and Robert Layton, the most significant writer in English [IMHO] on Sibelius, have you ever heard the great live performance from Boult and the BBC SO on BBC Classics CD [now sadly defunct] of the Seventh Symphony in the Royal Festival Hall? This a very tight [almost Toscanini-esque], forward-moving performance that utterly clinches the emotional impact, but never falls into the trap of over-cooking the music in false crescendi or ruined musical balances for excitement.

 

It is a CD that I am glad to have as it compares very nicely with Beecham [in the HMV studio], or indeed any other recorded performance that I have come across. It has the ability to sound as forward moving and convincing as Kajanus [in symphonies 1, 2, 3 and 5  - all premiere recordings] but with a quality of actual playing that matched Kousevitsky in the Second and Fifth with the Boston symphony Orchestra ... [Also HMV, RCA recordings].

 

ATB from George

Posted on: 12 April 2015 by Chris G

Thanks George - unfortunately I haven't heard the Boult Sibelius 7 - hopefully it will be re-issued sometime.  Boult was a surprise as he often performed or recorded works he wasn't associated with. His reputation as a champion of English music, though deserved, meant he was overlooked as a superb interpreter of many other mainstream composers.  I'll look out for that Sib 7.

Kind regards

Chris