A Revolution in Music Appreciation

Posted by: nigelb on 18 November 2015

Although I have posted this in the Streaming Audio section, it also embraces Hi-Fi Corner and the Music Room. So what does my rather strong claim in this subject refer to? Over the last few weeks (since I got Tidal up and running really) I have probably expanded my appreciation of unknown (to me) artists and untried musical genres more that I have over the past few years! What has caused this revolution in the material and artists I now listen to?

 

I can can attempt to summarise the reason for this significant change as the immediate availability of CD quality (well almost) music from a massive library (Tidal), combined with a wonderful source of recommended stuff to check out (this forum's Music Room). The ease of accessing new musical experiences and the joy from a wonderful new discovery has also encouraged me to dedicate a larger proportion on my spare time to the persuit of enjoying music in the home. So much so that I now have a dedicated listening room so I don't have to inflict my music listening on the rest of the family who don't always share my enthusism. Don't get me wrong, I have not become a hermit but I am now able to cut out certain chunks of time to listen to music without irritating others in the house.

 

Get out your iPad (or tablet of choice), whip over to the Music Room, find an album that looks interesting and has attracted praise from forumites and seconds later you are listening to it on Tidal in CD (almost) quality. I find that amazing! Now you may come across one or two that aren't your cup of tea but I have to say much of stuff I have listened to from Music Room recommendations I have really enjoyed and they get saved immediately in my playlists. Those artists and albums that have struck me the most are shortlisted to source as a high res download if available or possibly to purchase on CD and rip. I will most likely see if ripped CD versions are worth the expenditure by comparing the SQ from rips to the Tidal stream. If I find this to be marginal, I will simply limit my ownwership of CDs to the very best and enjoy the rest on Tidal. I now have a growing Tidal playlist catalog of some truly wonderful music and artists I have never heard before. Plus of course many old favourites that never made it into my CD collection for one reason or another.

 

Think back to the old days. You might read a review in a music mag, hear a clip of music on the telly or radio, get a recommendation from a mate and then you have to go to the high street and try and find the CD (or LP going back even further). And when you go back a week later to try and find something else, you discover the one and only CD shop in town has closed down. OK we now have Amazon to play with but often you are buying CDs blind without a proper audition. Now you can have a full audition in CD quality and decide if you want to commit limited funds to purchasing that CD or pass. I suspect the quality of my CD collection (and hence the resultant rips) will improve in future. This collection is far more likely to be played time and time again. I am sure we all have stacks of CD 'mistakes' that we never play. What a waste of money!

 

Listening to more 'new' music, more often, also allows you to fully enjoy the abilities of your system. Hearing new stuff constantly reminds you of how capable your system is. Hence the reference to the HI-Fi Corner section of the forum in my opening sentence. If my listening revolution has been experienced by others resulting in more extended, frequent and enjoyable listening sessions, it might just encourage us to improve our systems further. Others of course will be happy with what they have. I can't help feeling however that such a convenient and immediate way of trying out new material and the enjoyment of a 'better quality' catalog of music (better because of the abilty to trial new stuff and sift the wheat from the chaff) in CD quality will ultimately translate to increased sales of black boxes.

 

The concern I do have is an over-reliance on high res streaming services that still reveal some technical issues. I refer to the rather too frequent drop outs many of us have been enduring. There is also the financial instability of streaming service companies (Tidal and Qobuz) and it appears this new and rather wonderful music source is based on a business model that clearly needs refining and developing before it can be considered as both viable and stable in the long term. The music industry may also have to adapt and leave some of its more outdated practices behind and start offering a little more support to these new channels of music delivery to the consumer. Anyway let's hope all the technical and financial issues get resolved because companies like Tidal and Qobuz are too important to fail IMHO.

 

My appreciation of music has been revolutionised in recent weeks through a marvellous implementation of streaming technology and reference to the Music Room on here. Sorry this post has dragged on a bit and thanks if you have made to the end. I would love to hear if others listening habits have changed in recent times with the advent of streaming services.

Posted on: 19 November 2015 by nigelb

Dayjay, No need to apologise and certainly no need to resort to alcohol to deal with the shame.

 

If you are partial to a bevvy or two, please come to my pub and you can sample a pint of my finest real ale on me!

Posted on: 19 November 2015 by dayjay
Originally Posted by nigelb:

Dayjay, No need to apologise and certainly no need to resort to alcohol to deal with the shame.

 

If you are partial to a bevvy or two, please come to my pub and you can sample a pint of my finest real ale on me!

Now you are talking, iif I ever get the opportunity I will be there.  Much appreciated!

Posted on: 19 November 2015 by SongStream

Well, I've consumed way too much alcohol tonight, and it has nothing to do with this debate.  I have also been attacked mercilessly by....creatures...of the blood sucking type; they have a naim, but I've forgotten how to spell.

Posted on: 19 November 2015 by Huge

I don't use internet streaming as an extended library, only for finding new music.

 

For me the biggest limitation of the internet streaming services is the limitations of their search filters.  I know that manual detailed tagging in a way that is meaningful to the majority of people is an impossible goal, and that software to classify music with a numerical likeness rating to another track is currently very unreliable.  At the moment I don't see how this can be radically improved until substantial advances in music classification software evolve...  Unless I've missed some possibility.

 

At the moment, when I've tried browsing through list of supposed to 'similar to artist XXX' I find that often over 75% of the returned hits seem to have almost nothing in common.

 

So I find the services of limited use - I'm not going to wade through tens of thousands of almost randomly selected tracks / artists just because they're classified as "Female Vocal" or some other generic tag.  I feel I need something in between the wide generic and the unreliable specific.  I'm not belittling their efforts, just that as yet I don't find the search facilities to be a sufficiently mature technology for my specific needs.

 

To quote Marx, "Close, but no cigar".

Posted on: 19 November 2015 by George F
Originally Posted by Huge:

I don't use internet streaming as an extended library, only for finding new music.

 

For me the biggest limitation of the internet streaming services is the limitations of their search filters.  I know that manual detailed tagging in a way that is meaningful to the majority of people is an impossible goal, and that software to classify music with a numerical likeness rating to another track is currently very unreliable.  ..

Anyone who cares for music can compile a card index of the collected recordings.

 

Manually tagging the music is merely the same as a card index, but easier, because it is typing.

 

I have manually tagged over 7000 individual tracks in iTunes. Those too lazy to do similar do not have my sympathy. Thus my iTunes search engine is razor sharp!

 

ATB from George

Posted on: 19 November 2015 by nigelb

I have have not really explored the 'similar to' type suggestions via streaming services to explore new music. From cursory observations of such 'suggestions' there appears to be little relationship to the searched album/artists. Suggested other albums/songs by the same artist aren't helpful because that is an obvious further exploration that one can carry out without some algorithm generated prompt.

 

So far I have simply relied on fellow music lovers suggestions and subsequent search based on that information. In most cases these suggestions provide sufficient information for successful searches. It is strange however that a recommendation by an individual can lead to a wonderful new find, yet another recommendation by the same individual with in the same genre can leave you completely cold. So even with the benefit of 'like-minded' fellow music-lovers, there is no guarantee of  achieving that magical find. It still requires leg work, but nothing worthwhile is ever easy.

 

It just goes to show we are all different when it comes to tastes in music. Vive la difference. (By the way I failed my O level French). 

Posted on: 19 November 2015 by feeling_zen
Originally Posted by George Fredrik Fiske:
Originally Posted by Huge:

I don't use internet streaming as an extended library, only for finding new music.

 

For me the biggest limitation of the internet streaming services is the limitations of their search filters.  I know that manual detailed tagging in a way that is meaningful to the majority of people is an impossible goal, and that software to classify music with a numerical likeness rating to another track is currently very unreliable.  ..

Anyone who cares for music can compile a card index of the collected recordings.

 

Manually tagging the music is merely the same as a card index, but easier, because it is typing.

 

I have manually tagged over 7000 individual tracks in iTunes. Those too lazy to do similar do not have my sympathy. Thus my iTunes search engine is razor sharp!

 

ATB from George

Sorry George, are you implying that people who can't be bothered to tag 7000 tracks are not music lovers in the same way? Maybe some of us love music are really really stretched for time.

Posted on: 19 November 2015 by George F

Not suggesting any such thing. Just play your gramophone records on the shelf in alphabetic order. But if you want to access digital files for classical records from a digital library then some work is required. I sorted out nine tenths of what I have in iTunes in six weeks, five years ago. Since then I have corrected each CD's tags on ripping it ...

 

Not hard.

 

Otherwise you will not find what you have so painstakingly ripped. I guess this is what the suppliers of streaming services are relying on. Lazy b-----rs, who cannot be arsed to catalogue their already purchased recordings.

Posted on: 19 November 2015 by nigelb

It will be interesting to see if the streaming service providers start to develop algoritms that successfully 'learn' individual tastes in music. Clearly that 'learning' can only develop the more the consumer uses the service. The abilty of algorithms to learn is also dependent on the ability of the streaming service providers to tag artists/songs/performances with some rather subjective/ephemeral/creative/stylistic markers. I am having trouble describing it let along the challenge of implementing it!

 

Having mentioned the obvious difficulties involved in tagging music with 'soft/subjective' markers, from the amount of very well targeted e-mails I receive from Amazon, it is clear they have successfully carried this out with 'hard/objective' markers based on my searches and purchases from their site. I suspect they would like to delve further into our preferences and desires by analysing the softer, more implicit side exibited in our on-line behaviour. Taken to the extremes I guess this could become rather manipulative by encouraging us to buy more of what we want rather than what we need. 

 

But when it comes to music it is all about what we WANT to hear. So developments in learning algorithms by streaming services that provide better suggestions, more tailored to our individual tastes can only be a good thing. I say a good thing unless it leads to us spending far too much of our disposable income (and time) on music!

Posted on: 20 November 2015 by Huge
Originally Posted by George Fredrik Fiske:
Originally Posted by Huge:

I don't use internet streaming as an extended library, only for finding new music.

 

For me the biggest limitation of the internet streaming services is the limitations of their search filters.  I know that manual detailed tagging in a way that is meaningful to the majority of people is an impossible goal, and that software to classify music with a numerical likeness rating to another track is currently very unreliable.  ..

Anyone who cares for music can compile a card index of the collected recordings.

 

Manually tagging the music is merely the same as a card index, but easier, because it is typing.

 

I have manually tagged over 7000 individual tracks in iTunes. Those too lazy to do similar do not have my sympathy. Thus my iTunes search engine is razor sharp!

 

ATB from George

George,

 

You've completely missed my point...

 

I can't manually tag ALL of Spotify, Quobuz or Tidal's online catalogue, the one used by their online search engine, only they can do that.

 

They won't do it with the fine grained information I'd be looking, for as they'd be looking at manually tagging millions of tracks with multiple subject tags selected from many thousands of possible tags to use (currently they seem to only use about 100 different tags at most).

 

I do manually tag my own music collection.

Posted on: 20 November 2015 by Huge
Originally Posted by nigelb:

It will be interesting to see if the streaming service providers start to develop algoritms that successfully 'learn' individual tastes in music. Clearly that 'learning' can only develop the more the consumer uses the service. The abilty of algorithms to learn is also dependent on the ability of the streaming service providers to tag artists/songs/performances with some rather subjective/ephemeral/creative/stylistic markers. I am having trouble describing it let along the challenge of implementing it!

 

Having mentioned the obvious difficulties involved in tagging music with 'soft/subjective' markers, from the amount of very well targeted e-mails I receive from Amazon, it is clear they have successfully carried this out with 'hard/objective' markers based on my searches and purchases from their site. I suspect they would like to delve further into our preferences and desires by analysing the softer, more implicit side exibited in our on-line behaviour. Taken to the extremes I guess this could become rather manipulative by encouraging us to buy more of what we want rather than what we need. 

 

But when it comes to music it is all about what we WANT to hear. So developments in learning algorithms by streaming services that provide better suggestions, more tailored to our individual tastes can only be a good thing. I say a good thing unless it leads to us spending far too much of our disposable income (and time) on music!

The services are trying to do this, however before being able to do this successfully you have to be able to classify the music accurately, with metadata that has sufficiently fine grained selection criteria.

 

To get the fine gained metadata requires many thousands of subject tags form which the applicable tags are selected.  As the complexity of this selection geometrically expands with the number of available tags, the work is too onerous for humans and needs to be done by computer.

 

The computer algorithms to classify music are in their infancy and currently don't work well.  This is where the problem lies - generating the classification data.  Using it to provide targeted selections is, as you say, a problem that's already been solved by the advertisers.

Posted on: 20 November 2015 by DHT

Typing the name of the artist and making your own playlists appears to work pretty well.

H

Posted on: 20 November 2015 by Innocent Bystander

And wrogly targeting lots of things someone isn't interested in would be annoying and a turn-off

Posted on: 20 November 2015 by Huge
Originally Posted by DHT:

Typing the name of the artist and making your own playlists appears to work pretty well.

H

IF you already know the name of the artist.

 

It doesn't work so well for finding new artists. 

Posted on: 20 November 2015 by dave marshall
Originally Posted by DHT:

Typing the name of the artist and making your own playlists appears to work pretty well.

H

That's what I've been doing over the last few days, since getting Tidal up and running.

 

However, it seems that early on, whilst familiarising myself with the interface, I managed to save a complete album to "My Music", rather than a playlist, and now can't work out how to do it this way again. 

 

Any ideas?

 

I should add that i've been using the Naim app, rather than the Tidal one.

 

Cheers,

 

Dave.

Posted on: 20 November 2015 by nigelb

To put an album in your playlist, search for the album on Tidal within the Naim App by tapping on the magnifying glass, when found, tap on it and it will list all the tracks on that album, then tap on the three large dots and it will come up with a menu of alternatives, tap on 'New playlist' , then tap on 'Done' and it will add the entire album to your play list named as per the album which can be found listed under 'My Music' when you tap on the four diamond Tidal logo within the Naim App. 

Posted on: 20 November 2015 by dave marshall

Thanks Nigel,

 

That's what I've been doing so far, and the albums saved do indeed appear under the "playlists" heading, displayed with a multiple image of the album cover.

 

However, under the "albums" tab, there's an album, complete, with a single larger image of the cover.

 

It's not crucial, as the music available is the same in each case.

 

It's just that it looks neater with the single image, but I can't figure out how I managed to save the album in this way. 

 

Regards,

 

Dave.

Posted on: 20 November 2015 by nigelb

Dave, I see what you mean and I have just figured it out.

 

When you have searched for and selected your chosen album, instead of tapping the three dots, simply touch the empty star on  the left had side and it turns to white. Go to My Music and select Albums at the top and you will see your album saved under a single image. I have been saving albums as playlists so far.

 

I suppose Playlists come up first on the left in My Music because the youngsters like to create them whereas an old git like me is still old school and prefers to listen to albums.

 

You live and learn I guess! 

Posted on: 21 November 2015 by dave marshall

Ta Dah!

 

Nice one Nigel. (And I'm with you on Playlists........for exactly the same reason) 

Posted on: 21 November 2015 by Huge

I suppose many of us "old gits" remember the days when concept albums were common place, when an album was a work of art unto itself, created as a whole by the artists (rather than being a mere collection of short pieces that happen to have been brought together merely for commercial distribution).

 

I prefer to stay (largely) consistent to the artists original intent.  However there are also some things in my music library that are collections of individual pieces, and with these I am rather more likely to 'dip in and out' to select individual items.

 

Posted on: 21 November 2015 by dave marshall

Yes, I guess us "old gits" are from the pre-download era, and, speaking with some of the "younger gits",  it seems that very few ever download a complete album, but prefer to cherry pick the tracks which most appeal.

 

Mind you, I have managed to impress some of them by the mere fact that I, (sort of), understand and use streaming at all! 

 

It's all good,

 

Dave.

Posted on: 21 November 2015 by nigelb

Agreed. Albums to me were, and are still, more than a collection of (unrelated?) songs but rather an artistic endeavour as an entire piece. I agree that some songs may be more appealing than others on the same album but it can be a mistake to cherry pick and exclude the 'less attractive' songs. The reason is that over time playing entire albums I have grown to like and appreciate the so called less attractive tracks. Additionally as you improve your system some of the more challenging song/tracks/pieces start to make more sense as their reproduction in the home improves.

 

So youngsters, cherry pick at your peril.

Posted on: 21 November 2015 by Innocent Bystander

+1 with rock music, at least the stuff I like is mostly constructed by the album, and in many are 'concept albums' wher I simply have to play the whole album, all the way through as made, in a continuous play - a bit like going to the theatre, where you wouldn't just go and see Act 2  of a 3 Act play.

 

Ditto opera.

 

Ditto classical works - not necessarily albums, as some albums contain several different works, sometimes by different composers.

 

however I do have a few 'best of' type albums, generally to fill in a band I either don't know well, or only like some of. Those I can dip in and out of, but don't usually do.

 

Random play is a bit like radio, where single tracks are played (apart from BBC R3 for classical), and I find that best for discovering new things simply because it is random from a vast potential repertoire, and in that respect far better than using an online streaming service, the latter for me only being of use in deliberately trying something specific, e.g. when recommended by someone whose taste is similar to mine.

 

Posted on: 21 November 2015 by nudgerwilliams

Good thread Nigel, and agree these services are a great way of discovering and re-discovering great music.

 

If you have not found it already, try the Start track radio option in Tidal.  Tap the three dots next to a track and it generates a playlist of similar stuff.  It's a bit random, but throws up some nice surprises from time to time.  

 

David