Superlumina DIN-XLR: Almost like giving birth

Posted by: ayisgroovy on 30 September 2016

It's Friday evening, the Mrs is out partying, my son is in bed and in dreamland with Thomas the Tank Engine et al.  I have enjoyed immensely the forum posts which I have learnt a fair amount from - thanks to all contributors.  So I thought I'd just put my contribution in and put fingers to keyboard and tell of my experience with a less topical part of my system but gee whizz an important and integral part.  It is to do with my (not so) recent acquisition of Superlumina cable for my system.  Firstly, I am not running the "full loom" as I had demoed the speaker cables between SLs and Tellurium Ultra-Blacks on an A-B basis (both 6m each leg so therefore an equal comparison in this regard) with both pairs having been run for about 20hrs each as I had been informed.  This was moving from NACA5.  For me, I preferred the UBs for their edge on 3D, relative clarity, and sweeter high end.  This is not to say the SLs were bad, absolutely not, but for me it was the UBs, which did lack a little of the "grunt" in pop/rock but I could live with that.  If the UBs were not around, I would be running the full loom for sure.

So that's the speaker leads out of the way.  I run a fairly high end "dream" system (details at footnote), one which I would never have dreamt of owning even as recent as 5yrs ago but luck came my way at work and the rest is history.  Having focused solely on the "boxes" during the upgrade path, start from a humble olive 82/250/Supercap thro' 52/Supercap/2x135, sourced by a CDX2 and basic LP12/Ittok/K18, and thro' to current system, it was time this year to look at (as always) the weakest link in the source--->speakers chain.  Clearly, the lavender DIN-DIN and DIN-XLRs needed looking into and decided that the first move was to shift to a Hi-Line (using the "source-first" philosophy).  This proved to be a worthwhile move pound for pound and was enjoying very much the tunes the system was delivering.

Moving along the logical chain of improvement, the next target was the DIN-XLRs.  Now, the natural extrapolation of replacing your (almost) freebie leads with a set that is equivalent to a very decent family holiday would be instant gratification and an upgrade that in no fewer words would wipe the floor with the Lavenders.  Ermmm, not so.  At least not initially.  Not having demoed the SL DIN-XLRs, I bought "off plan" in March 2016 and thinking synergetic thoughts and that a straight swap for the SL DIN-XLRs would take me those extra few steps toward system Nirvana.  On installation and having inserted/withdrawn the leads a few times for prudent cleaning, I sat back and hit the play on the NDS.  Yes there were immediate differences with the Lavenders such as relatively better clarity and detail BUT the music sounded almost monaural, closed in, and analogous to tunnel vision.  Bass definition was good but not exceptional.  Cognizant of former Forum posts on the SL DIN-XLR and the subdued nature of this lead in comparison with the SL speaker and interconnect versions, I knew that it would likely be a long slog to "burn-in" this baby and so music was constantly played for a good part of 5 days non-stop which did make a slight improvement but not enough to make me warm to the DIN-XLRs (sorry for the pun) as I would have wanted (family holiday syndrome?) but nonetheless persisted.  Fast forward 3m.  The narrow soundstage did gradually open up slowly and bass frequencies on better recordings did appear to go lower and better defined whilst the mid and high frequency detail also improved and sounding "sweeter" somewhat.  It was at this stage when I thought well, the next improvement then has to come from swapping out the Hi-Line for the SL interconnect which I did and first impressions were that it did make an instant positive impression in all aspects.  Greater "air" around instruments, detail, and even sweeter vocals were the most obvious that was heard.  Also, and this might sound strange, better timing and a perceived slower delivery of music was noticed but all in a positive way as the music for the first time in 3m did really begin to flow.  The SL interconnect didn't require much burn in time, or not that I could definitively attribute between the DIN-XLR and Interconnect but hey, the system was noticeably coming back with really enjoyable tunes.  That was back in July-ish.  August was a busy month at work and I did not have that much time to sit down and have a proper session with my system, most of the time it was a couple of tracks late evening and then flunked out on the sofa until the wee hours of morning.  So it was not until mid-September when I dedicated a few days off work to re-engage with my favourite mode of R&R and the system and.....wow!  Again, performance attribution was a bit difficult having introduced the Interconnect way before the DIN-XLR was fully bedded in but now, the two SL leads have synergistically fused their capabilities and are producing very agreeable music!  I am quite convinced that the Interconnect had paved the way to musical enjoyment quicker and sense that the SL DIN-XLR still probably has more to give over the coming months.

Sorry to babble on a bit but I am finally enjoying (or is it relief?) my upgraded leads and can hand on heart say it was worth the cost of the SLs and my system is really catching my attention on all types of music I play.  Bass notes are defined with ease, hammond organ/synth lines are clearly heard and followable (e.g. a lot of Joss Stone's albums), the detail around guitar strings being plucked, the "snare" from snare drums  (eg. Dave Brubeck's "Take Five") and the air around piano notes are now common attributes when playing music.  This is just great!

So the long and short of my journey is that it was worth embarking on the SL DIN-XLR journey, albeit a bit volatile and long.  So much so that in the period of ownership so far, I could have given birth (hypothetically speaking - I'm a guy!).  I am somewhat convinced that the DIN-XLR still has more tricks to show me.  My next embarkment, subject to funds, would be to get my 500 DR'd which I hope the queue at the mothership and the burn-in time after the DR metamorphosis does not require such enduring patience such that I could have given birth yet again.   

NDS+555PSDR+555PS, 552DR, 500(non DR), LP12 Ittok II, Lingo Mk 1,Dyna XX2, Superline fed by olive Supercap.  Tellurium Ultra Black, B&WN802, 6x Powerlines.

 

Posted on: 30 September 2016 by hungryhalibut

Now that you have the din to din and the din to XLR it would be interesting to try the SL speaker leads again, as the full SL set has a real synergy. 

Posted on: 30 September 2016 by ayisgroovy

Hi HH, a valid point you make. Weighing up this differential aspect with my UBs vs getting the 500 DR'd and serviced would lean toward the latter from an updating and sonic perspective (the 500 is a 12yr baby!). 

Posted on: 30 September 2016 by Eloise

I'm curious about your choice of topic thread... you mean SL cabling were incredibly painful, the men piss of for the boring waiting and then made inane comments for the painful parts, but ultimately you get a bundle of joy at the end which the man claims is all their work!

Posted on: 30 September 2016 by Mike-B
Eloise posted:

I'm curious about your choice of topic thread... the men piss of for the boring waiting and then made inane comments for the painful parts, but ultimately you get a bundle of joy at the end which the man claims is all their work!

    ...........  veering off topic but talking of child birth;  a few years ago I had a knee replacement & part of the pre-op was a questionnaire that included questions about pain, rate the pain 1 - 10.    I asked the (male) nurse how to gauge these numbers (thinking how to level out pain threshold tolerance variables) & his reply was 10 is like childbirth.  !!! ???  eer right  OK   I've seen a few but never actually done it myself,  but thanks anyway.  

Posted on: 30 September 2016 by dayjay

I've read that in childbirth the pain can be so bad that it almost approaches man flu levels

Posted on: 30 September 2016 by Blue.Dog

Worse than treading on an upturned 13A plug?

Posted on: 30 September 2016 by dayjay

But not as bad as standing on a carpet grip

Posted on: 30 September 2016 by Noogle

Well below stubbing your toe on the leg of a coffee table.

Posted on: 30 September 2016 by joerand

The two births I've witnessed were greater traumatic events than any of the aforementioned comparisons, let alone the aftermath of giving birth - passing the placenta, healing from an episiotomy, and postpartum recovery. Not a process I envy. Happy I was the witness and not the bearer. 

Continuing the digression or maybe a grounded response to a daft topic title?

Posted on: 30 September 2016 by Emre

Did you test some other alternatives for xlr/ din like you did for speaker cables? 

The most expensive part of the full loom cable upgrade is xlr/din.

You have to buy two so it is around 3k £? I am right?

Almost the double of my SL speaker cable upgrade 

I wonder if there are more wallet friendly alternatives? Or will you ruin the synergies of a full SL loom, I am not planning a SL interconnect for CD2X that I am using, it will be too much an investment for ageing cd player, a used hiline will be just fine

What do you think?

Posted on: 01 October 2016 by Chris Dolan

I still don't get why people buy blind - don't your dealers let you have alternative cables to try for an extended home dem?

Posted on: 01 October 2016 by yeti42

Did you manage to keep the SL cables off the floor in your setup? When I tried the IC between CDX2(555ps) and 282(SC/250-2) I liked everything about the improvement except its effect on the timing compared to a Hiline but it was too long and limp to suspend off the deck and putting a loose loop in it made the sound even more analytical. When I discovered that the speaker cable wouldn't be supplied with Naim plugs fitted (for the NBLs) I gave up on the whole deal. 

Since then a 552DR has replaced the 282 and a used 500 (currently being DoctoRed in Salisbury) has joined it.   The greater finess of the 552 might just make the SL cabling worth reinvestigating, though that still leaves the speaker plug problem and the DIN-Canon cable will rest on the carpet even if the IC frm the digital source (which might be a NDS by then) hangs free (medium shelf for 500 and Lite to FFFraim since last time). 

Did the superline get a SL too?

Posted on: 01 October 2016 by Iron Cobra

I've had XLR/DIN  for my 300 on lone for two weeks now to complete the loom. Placed an order yesterday in time to get the 20% discount 

Posted on: 01 October 2016 by Emre
Chris Dolan posted:

I still don't get why people buy blind - don't your dealers let you have alternative cables to try for an extended home dem?

Dear Chris; maybe in UK but not the rest of the world, let alone the demo we dont even have dealers for most part of the cable brands. Also home demo is not part of the market retual in some countries unfortunatly, if Naim send a kit dor home demo of every product for every dealer at least we can demo Naim products but the dealer is only keen on a home demo on some items depending on stock levels, his profit margin, the stock speed of demo products rtc

Posted on: 01 October 2016 by Pcd

Still have the dealers demo set of SL speaker cables I used them for about 3 weeks then the dealer installed a SL Din-Din between my NDX and 252 this replacing a Hi Line the difference was quite staggering and as HH has said there is a synergy with these cables and in my experience you need at least a SL interconnect to release the potential of the SL speakers cables.

Pair of SL cables and SL interconnect on order next stop will be the completion of the full SL loom these cables are that good.

Posted on: 01 October 2016 by Harry

DIN to XLR was the quickest and least painful transition for me. But this was the final addition to SL speaker cables and SL interconnect. So not directly comparable to your situation. SL is by no means the best VFM of the DIN to XL:R candidates according to my ears, but it is the best sounding.  

Posted on: 01 October 2016 by dave marshall

I'd agree that the SL DIN / XLR, compared to others I tried at home, is the best sounding, and, in tandem with both the SL DIN / DIN, and the SL speaker cables, prompts the old cliche about synergy.

As for the least painful? ....................as I required twin XLR's, so far from painless! 

But, to use another cliche, it's all about the music, and the SL full loom certainly has brought out the best in my setup. 

Posted on: 01 October 2016 by Harry

Same here. It ain't cheap but it ain't bad either.

Posted on: 01 October 2016 by greekspec2
Emre posted:
Chris Dolan posted:

I still don't get why people buy blind - don't your dealers let you have alternative cables to try for an extended home dem?

Dear Chris; maybe in UK but not the rest of the world, let alone the demo we dont even have dealers for most part of the cable brands. Also home demo is not part of the market retual in some countries unfortunatly, if Naim send a kit dor home demo of every product for every dealer at least we can demo Naim products but the dealer is only keen on a home demo on some items depending on stock levels, his profit margin, the stock speed of demo products rtc

let alone my state of California is bigger than most of the world's countries

Posted on: 01 October 2016 by nigelb
Emre posted:

Did you test some other alternatives for xlr/ din like you did for speaker cables? 

The most expensive part of the full loom cable upgrade is xlr/din.

You have to buy two so it is around 3k £? I am right?

Almost the double of my SL speaker cable upgrade 

I wonder if there are more wallet friendly alternatives? Or will you ruin the synergies of a full SL loom, I am not planning a SL interconnect for CD2X that I am using, it will be too much an investment for ageing cd player, a used hiline will be just fine

What do you think?

We do appear to to be able to recommend cables from other manufacturers on here so here goes.

A few years ago I replaced the stock DIN-XLR for my 250(.2 as it was then, 250DR now) with a Witch Hat HatPin 4X stereo DIN-XLR cable and a very nice improvement is was too. Back then I was using Hiline IC and NACA5 speaker cables. I now still use the HatPin DIN-XLR with my SL IC and SL speaker cables. Although I intend to upgrade to a full loom with the addition of SL DIN-XLR at some point, I must say the HatPin is doing a great job of showing what the SL IC and SL speaker cables can do at a fraction of the cost. 

Witch Hat do a dual mono version of the HatPin DIN-XLR for use with 300 and 500 power amps for again a fraction of the cost. I think I am also correct in saying that Witch Hat operate a mail order facility with a full refund if you decide to return anything after a trial - so no risk if you feel like taking a punt.

Posted on: 01 October 2016 by Harry

The WH cable is blindingly good value for money. The price differential compared to SL is almost farcical, in Witch Hat's favour. I've never met a Vertere cable I didn't like, including their DIN to XLR offering. I still went with the SL though because in absolute terms it is by far the better performer. It's the old cost versus value sliding scale. Different for everyone. If I couldn't audition SL I wouldn't risk it. Way too expensive for me to roll the dice on. That's brave.

Posted on: 01 October 2016 by ayisgroovy

A very colourful range of responses which is always a good sign in the democracy that we live in.  Aside from those that missed the point of the post, I am in total agreement with the comments that touched upon the risks of buying blind and testing alternatives before purchasing.  Whilst I did not mention that I did try a well run in demo pair of SL DIN-XLRs before purchase for a fortnight, it was interesting to see how quickly conclusions were arrived upon!  When you trust in a fabulous manufacturer like Naim to "do the right thing" on their high end products, it can alleviate some of the pressures of trying out ALL of the alternatives which by definition is almost impossible.  By that I estimate some replies were questioning by inference about alternatives such as Chord Sarum TA, Vertere etc., to just name a few.  But what about that super-duper cable produced by a specialist in some far off country which would walk over the aforementioned but none of us never knew about?  In other words, our universe is what we see and (hopefully) hear in the audio media but it is by all means not exhaustive.  Thus, the trust in the manufacturer that makes your source component, amp, power supply, should extend to the interconnects, especially when we are focusing on the best the company offers.  I ask, how many Naim enthusiasts bought their 552, 500 etc., on spec or more so reputation?  Some will have of course and that had been part of the enjoyment of the upgrade path but if you owned a 52 and say came across an affordable used 552 with a 24hr window to buy what would you have done - call your dealer immediately and ask to hear their 552 first (if they have one kicking around) or extrapolate and base your purchasing judgement on what you know about the 552 or perhaps heard at a distant hifi show and buy it?  Ditto 500, NDS, any DR component, or even a Fraim.   

Anyways, cut to the chase - the new SL DIN-XLR (pair) is a very very good cable, especially when purchased with a 20+% discount.  This economic value add and the performance of the well run in demo pair I tried were the key deciding factors for me to purchase (albeit slightly foolishly) a fresh new set of DIN-XLRs.  My main point in this post is straightforward - it took a heck of a long time for a (my) new SL DIN-XLR to come up with consistent results and that the performance volatility easily rivalled that of Fed watchers second guessing when the next hike in the Fed Funds target would be, or even more straightforward what will China's GDP turn out to be?  However, trusting the product and persevering did bear fruit big time. Now that my interconnects are where I expect and want them to be (still very happy with the UBs), I can park this area of my system to rest and just enjoy the flowing music.....until funds build up again to get the DR and service on my 12yr old 500!      

 

Posted on: 01 October 2016 by Chris Dolan
Emre posted:
Chris Dolan posted:

I still don't get why people buy blind - don't your dealers let you have alternative cables to try for an extended home dem?

Dear Chris; maybe in UK but not the rest of the world, let alone the demo we dont even have dealers for most part of the cable brands. Also home demo is not part of the market retual in some countries unfortunatly, if Naim send a kit dor home demo of every product for every dealer at least we can demo Naim products but the dealer is only keen on a home demo on some items depending on stock levels, his profit margin, the stock speed of demo products rtc

Emre - Couldn't they just pop the interconnects in the post - with a credit card deposit taken?

If you don't buy them then the cost of sending them back would be less than travelling to the dealer's place - and a small price to pay for knowing that you have made the right decision for you and your system.

Or is that just a non-starter where you are?

Posted on: 02 October 2016 by Emre

Maybe SLs because my dealer is along time friend, but i dont think i can test any other brands, but i can take a risk on witch hats if users agree that is an improvment om standart ones for 300DR.

 

Posted on: 02 October 2016 by nigelb
Emre posted:

Maybe SLs because my dealer is along time friend, but i dont think i can test any other brands, but i can take a risk on witch hats if users agree that is an improvment om standart ones for 300DR.

 

Witch Hat DIN/XLR cables are a definite improvement over the stock cables IMHO. Try some out, you can always get your money back & return them if you are not convinced. I am not sure where you live so best double check the return option exists overseas - I am pretty sure it does.