What are you listening to and WHY might anyone be interested? (Vol. XIII)

Posted by: Richard Dane on 01 January 2017

2017 has arrived today, so time to start this thread afresh.

Last year's thread can be found here;

https://forums.naimaudio.com/to...e-interested-vol-xii

Posted on: 31 January 2017 by Bert Schurink

Posted on: 31 January 2017 by BigH47

Via Spotify:-

 

Asia - Asia.

Posted on: 31 January 2017 by Bert Schurink

Testing this one via Tidal, looks like I should buy it...

Posted on: 31 January 2017 by Stevee_S

(1972)

Tidal Masters

A tribute to the music of his native city, the album is a collection of covers of New Orleans classics, played by a major figure in the city's music. 

Posted on: 31 January 2017 by Jeroen20

Posted on: 31 January 2017 by GraemeH

...infectious!

G

Posted on: 31 January 2017 by dav301

On CD:-

Yello - 1980-1985: The New Mix In One Go

Posted on: 31 January 2017 by hungryhalibut

The first of four nights, and probably my favourite. 

Posted on: 31 January 2017 by mike_f65
Stevee_S posted:
mike_f65 posted:

Goat - Requiem

I don't know about you Mike but I was very disappointed with this one from them. 

I'm of the same opinion but I'll give it one more spin to see if it grows on me

Posted on: 31 January 2017 by Stevee_S

(1971)

Another via Tidal Masters, this classic ELP is the 2012 Steven Wilson remaster which, to my ears is sounding very good indeed.  

Posted on: 31 January 2017 by Bert Schurink

Before as follow up of my buy...

 

Posted on: 31 January 2017 by Jeroen20

Monk is a blind spot in my collection. I am cathing up.

 

Posted on: 31 January 2017 by Bert Schurink

Now listening to a new album of Adrien with a full sound...

 

Posted on: 31 January 2017 by hungryhalibut

Posted on: 31 January 2017 by Tony2011

1975 - U.K. First pressing....

Posted on: 31 January 2017 by Tony2011
Stevee_S posted:

(1971)

Another via Tidal Masters, this classic ELP is the 2012 Steven Wilson remaster which, to my ears is sounding very good indeed.  

Good album but I'm getting really worried about you, Steve. All these SW remixes...

Just kidding...

 No, seriously. 

Posted on: 31 January 2017 by Stevee_S
Tony2011 posted:
Stevee_S posted:

(1971)

Another via Tidal Masters, this classic ELP is the 2012 Steven Wilson remaster which, to my ears is sounding very good indeed.  

Good album but I'm getting really worried about you, Steve. All this SW remixes. 

Just kidding...

 No, seriously. 

I'm saying nothing...

Posted on: 31 January 2017 by Tony2011
Stevee_S posted:
Tony2011 posted:
Stevee_S posted:

(1971)

Another via Tidal Masters, this classic ELP is the 2012 Steven Wilson remaster which, to my ears is sounding very good indeed.  

Good album but I'm getting really worried about you, Steve. All these SW remixes. 

Just kidding...

 No, seriously. 

I'm saying nothing...

Ok, but if you start playing PT, I'll have to call the men in white: definitely something wrong!

Posted on: 31 January 2017 by Bert Schurink

Listening to the below album via Tidal based on a review by allaboutjazz, so far very enjoyable. Have added the album art and the review text...

Stream: Second Stream It is always a pleasure to hear a working band. Not a one-off meeting, or an all-star project hastily thrown together, both of which often promise more than they deliver—but a genuine team of musicians committed to a shared musical vision, one that can be honed and refined over the long course of a true collaborative partnership. Case in point is this release, the second from the group Stream, and it is a marvel of what can happen when three superb musicians work to achieve something greater than the sum of their parts.

Stream is a "piano trio," although that term doesn't quite do justice to these guys, given the superlative level of creativity and craft on display. Comprised of two veterans (Scott Lee on bass, and Jeff Hirshfield on drums) and one relative youngster (Yago Vazquez on piano), the group offers more than enough strong writing, elegant improvisation, and rhythmic sophistication to help it stand apart from conventional piano trios. The eleven tracks on this release are all worth repeated encounters, as they are rich both in musical content and in the sheer enjoyment they provide.

The first thing that becomes apparent in hearing this music is how tuneful it is. Vázquez and Lee each composed four of the tracks on the record, with the remaining three being freely-improvised; but it's a testament to the group identity of the band that all the songs have a similar kind of feel. The melodies aren't simple, as they often have a sinuous quality, but they are all the more satisfying for their interesting twists and idiosyncrasies. And the playing isn't going to overpower the listener either; subtlety and delicacy are the order of the day, as Vázquez is more inclined to tease out the implications of a tune with careful, nimble flourishes than to provide a lot of dazzling pyrotechnics. The same goes for his partners. Lee's basswork embodies the same measured poise and understated musical sensibility as Vázquez; although his skills are undeniable, his chops are always in service of the music, and the melodic aspects of each piece shine through clearly in his contributions. Hirshfield too manages to say a great deal, but not with percussive bombast, as he is instead partial to letting his cymbals do the talking. His dexterity with the ride cymbal alone is enough to establish his credibility as a supremely musical drummer.

There are a lot of highlights worth mentioning, but these in particular stand out. The second cut, "Cue Ball," is a masterful performance, involving the close rapport that is the foundation of the group's approach. Using (fittingly enough) a "cue"-based system for numerous shifts in tempo and time signature, the catchy piece is challenging and complex, but at the same time engaging and accessible, with each transition made seamlessly and organically. The group's rhythmic flexibility is showcased on "Basses Loaded," where funky interplay and a driving pulse allow Vázquez an opportunity to strut his stuff a little, especially on the lower half of the piano. Even the freely-improvised tracks, like "As If" and "I'm Pretty Sure I'm Right... Dear," are remarkably disciplined and strikingly lyrical. And the album's somber closer, "Seeing Through," is a similarly memorable example of group improvisation that is hauntingly beautiful in its elegiac purity.

With such a terrific record, it is exciting to anticipate the new directions Stream might take as it continues to evolve. This is indeed proof positive that there are still new horizons to be explored by piano trios—and by working bands!

 

Posted on: 31 January 2017 by Stevee_S
Tony2011 posted:
Stevee_S posted:
Tony2011 posted:
Stevee_S posted:

 

(1971)

Another via Tidal Masters, this classic ELP is the 2012 Steven Wilson remaster which, to my ears is sounding very good indeed.  

Good album but I'm getting really worried about you, Steve. All these SW remixes. 

Just kidding...

 No, seriously. 

I'm saying nothing...

Ok, but if you start playing PT, I'll have to call the men in white: definitely something wrong!

No promises !! 

Posted on: 31 January 2017 by mike_f65

Christian Kjellvander - A village

Posted on: 31 January 2017 by Tony2011
Stevee_S posted:
Tony2011 posted:
Stevee_S posted:
Tony2011 posted:
Stevee_S posted:

 

(1971)

Another via Tidal Masters, this classic ELP is the 2012 Steven Wilson remaster which, to my ears is sounding very good indeed.  

Good album but I'm getting really worried about you, Steve. All these SW remixes. 

Just kidding...

 No, seriously. 

I'm saying nothing...

Ok, but if you start playing PT, I'll have to call the men in white: definitely something wrong!

No promises !! 

Take care, matey!

Posted on: 31 January 2017 by Paper Plane

On original vinyl withe amazing fold out sleeve:

Why? It's been too long since I've had any Hawkwind in my life.

steve

Posted on: 31 January 2017 by Kevin-W

I love playing tapes on the Nak. Here's a classic 1980s cassingle (25 minutes per side, the same both sides), in really good SQ. Begins with Chris Barrie doing his best Ronald Regan impression: "On the subject of Frankie Goes to Hollywood, nothing occurs to me."

Cassette Culture #9: Two Tribes

Posted on: 31 January 2017 by Tony2011

1978 - U.K. First pressing...