What are you listening to and WHY might anyone be interested? (Vol. XIII)

Posted by: Richard Dane on 01 January 2017

2017 has arrived today, so time to start this thread afresh.

Last year's thread can be found here;

https://forums.naimaudio.com/to...e-interested-vol-xii

Posted on: 18 November 2017 by MDS

Tull's debut album on remastered CD. Much more bluesy than the next few albums, probably due to Mick Abrahams' influence. 

Posted on: 18 November 2017 by Eoink
Clive B posted:
dave marshall posted:

Gilmour alert!

Tonight ............... Beeb 2 at 22.40 .................. highlights of last year's "Live At Pompeii" surely worth recording? 

Thanks, I shall set the recorder.

For those with Sky, on Sky Arts at 7:00pm there's a 2-hour programme on the Delicate Sound of Thunder tour, followed by the story of Wish You Were Here.

Unfortunately I don't have Sky, but it could be quite an evening for Pink Floyd fans.

I’m pretty sure I’ve seen the DSOT one before (if it’s the same one, it’s probably still on the recorder hard drive somewhere), recorder set for the WYWH one, thanks a lot, it’s my favourite Floyd album and a strong contender for my Desert Island Discs lineup.

Posted on: 18 November 2017 by Slim68

Daniel Cavanagh, Monochrome. WAV CD Rip.

Wonderful, emotional debut solo album.

Posted on: 18 November 2017 by Tony2011
Slim68 posted:
Tony2011 posted:

1992 - Vinyl - UK first pressing...

 

I saw them play at the Brixton Acadamy mid 90's, They were Late, Very Loud, Very Very Angey then Pi$$ed off early, Brilliant.

Yep. I also saw them at the Academy, probably a different date as they did finish the set but were still a very very angry lot. 

Great stuff!

Posted on: 18 November 2017 by MDS

Listening to This Was has put me in the mood for some more old stuff.

Posted on: 18 November 2017 by hungryhalibut

It’s something of an ECM night tonight. This recent album is very good - guitar, bass and drums. In fact, some of the bass is so deep I had forgotten my speakers went that low. 

Posted on: 18 November 2017 by Tony2011
MDS posted:

Listening to This Was has put me in the mood for some more old stuff.

Great call, Mike. I think  I'm joining you on this one.

 Vinyl..

 

Posted on: 18 November 2017 by TommayCat

This evening, in the spirit of an increasingly crisp Yorkshire autumn, I've been enjoying all things Icelandic.  For those of you who enjoy modern electronica combined with with lyrics taken from 19th-century Icelandic poems (niche?) I urge you to listen to Samaris – Áslaug Rún Magnúsdóttir (clarinet), Þórður Kári Steinþórsson (electronics) and Jófríður Ákadóttir (vocals).  Jófríður and her twin sister also perform together as Pascal Pinon (name inspired by the "Two-headed Mexican" Pasqual Piñón).  

But now I'm back in the UK with Brighton-based Grasscut and their compelling album "Everyone Was a Bird". All streaming nicely thanks to my NDX, recently cheered up with a XPS and B&W 804 D3s (I'm still applying a cold compress to my bank account).  

To warm my cockles I'm drinking Dadá No.1, a lustrous Argentinian Malbec (I do hope they find their submarine safe and sound).

Happy days.

Posted on: 18 November 2017 by naim_nymph

LP (reissue)

R.I.P. (Reincarnation In Progress)  Malcolm Young (1953-2017)

Posted on: 18 November 2017 by Eoink

Continuing with the beards and Beard, another ripped  CD from the bargain box set, earlier Top, brilliant blues rock, not the greatest CD mastering, but very acceptable SQ. When I listened for SQ it seemed a tiny bit compressed, as soon as I stopped thinking about the hifi stuff the music dragged me in, great album.

Posted on: 18 November 2017 by Stevee_S
Eoink posted:

Continuing with the beards and Beard, another ripped  CD from the bargain box set, earlier Top, brilliant blues rock, not the greatest CD mastering, but very acceptable SQ. When I listened for SQ it seemed a tiny bit compressed, as soon as I stopped thinking about the hifi stuff the music dragged me in, great album.

It's well worth getting their original early CDs which have a far better SQ, this one for example on my original CD release has a DR of 14 and sounds superb. 

Posted on: 18 November 2017 by Eoink
Stevee_S posted:
Eoink posted:

 

Continuing with the beards and Beard, another ripped  CD from the bargain box set, earlier Top, brilliant blues rock, not the greatest CD mastering, but very acceptable SQ. When I listened for SQ it seemed a tiny bit compressed, as soon as I stopped thinking about the hifi stuff the music dragged me in, great album.

It's well worth getting their original early CDs which have a far better SQ, this one for example on my original CD release has a DR of 14 and sounds superb. 

Thanks Stevee.

Posted on: 18 November 2017 by Eoink

Bella (my cat) has gone outside for a while, so back to vinyl. This is a German 1980 reissue  of Volunteers and Crown of Creation as a double album, sounds great. I’m playing Volunteers, think this might have been Airplane’s high point for me, the dream had faded, they were now singing from commitment, great angry and also some lovely songs,  Grace was on great voice as was Marty Balin, Kaukonen on stellar form (an under rated guitarist I think), and the rhythm section amazing, 

Posted on: 18 November 2017 by Filipe

Billy Joel - An Innocent Man - vinyl

Lots of really good tracks on this LP. Sounds really good at any volume level. He has a great voice.

Listening to it tonight while eating my first attempt at Lancashire Hotpot made with mutton from the local butcher plus a bottle of Douro and a bottle Merlot Cabernet Sauvignon shared with my son and family. Fortunately Thomas (2 years and a bit) is not interested in wine yet!  After 4 and 1/2 hours cooking the mutton is beautifully tender with lots of texture. Matches the music!

Phil

Posted on: 18 November 2017 by fatcat

Jose Feliciano - Americano (Streaming) A nice album.

Posted on: 18 November 2017 by Tony2011

1975 - Vinyl - UK first pressing...

Starting with record 2, side A,  for a change as I do fancy listening to In The Light. 

Posted on: 18 November 2017 by Slim68

Porcupine Tree, Recordings, WAV CD Rip.

A compliation of very good "B" sides and out-takes with great SQ.

Posted on: 18 November 2017 by Eoink

Gregg Allman,  Southern Blood on vinyl, one of the great rock singers saying goodbye, superb choice of songs, excellent band, Gregg singing like a master, a rare modern pressing that sounds as good as cheapo pressings from 35 years ago, my album of 2017.

Posted on: 18 November 2017 by kuma
Haim Ronen posted:

For a moment, I thought they were Ivanka and Jared Kushner!  :0

Posted on: 18 November 2017 by Eoink

Last album of the night, vinyl. I’ve always thought this was a very underrated album, some clunky lyrics, but overall for me, some wonderful songs, Anderson on fine vocal form, lovely Barre playing, Tull musically excell3nt. 

Posted on: 18 November 2017 by ewemon
KeanoKing posted:
ewemon posted:

Aretha Franklin

Any good?

atv

kk

Some of the trax are great but it is a typical CBS album where they tried to hard to sell her as a pop artist.

Some of these trax could have benefited from Jerry Wexler producing them

Posted on: 18 November 2017 by Christopher_M

Vassilis Tsabropoulos - Akroasis

Saturday night and Sunday morning.

Posted on: 18 November 2017 by seakayaker

Now Playing.....

Paul Motian, Bill Frisell and Joe Lavano - Time And Time Again

Paul Motian, Bill Frisell and Joe Lavano - Time And Time Again

Paul Motian (drums), Bill Frisell (guitar) and Joe Lavano (tenor saxophone)

Continuation of the ECM catalogue exploration.....  Streaming from TIDAL

Notes from TIDAL: 

In 2005, Paul Motian returned to ECM as a leader after a long hiatus. He reassembled his partnership with guitarist Bill Frisell and saxophonist Joe Lovano. The album they released, I Have the Room Above Her, was ecstatically reviewed across the globe. The trio members, who hadn't recorded together as such since 1984, showed a tremendous empathy and a sense of harmonic invention that defied "jazz" categorizations. On Time and Time Again, the band's sense of space, color, and texture reaches outward in a more pronounced manner. Motian's compositions dominate this set, as they did the last one. His idea of a music that moves, floats, and hovers -- that evolves gently -- is singular. His partners here do not react; they seem to abandon themselves into the world of sound the drummer wishes to create. Motian doesn't play a pulse style of drumming here for the most part, and Lovano, who is one of the tradition's great adherents, uses his horn as a ballast of texture and melody. Frisell's use of technology and ear for detail, nuance, and delicacy don't fill space so much as create it. His playing against Motian's slippery, mercurial cymbal and snare work expands lyric possibilities for the listener, even as Lovano grounds the melodies in textured color. The album's opener, "Cambodia," is a case in point. Motian and Frisell appear to wander into the tune haltingly, carefully, creating a dimension. When Lovano enters a minute or so later, the "song" begins to shape itself, and the listener takes in the spatial dimension as well as the beautiful melody created by Lovano and Frisell. Motian's painterly style flows through the middle, allowing room for spot-on improvisation while never losing the core of the tune.


Motian's compositions resemble songs in this way. They find their way home, but take the listener far from it for a good while -- inside a cut that's four and a half minutes long, this is remarkable. The track "K.T." uses song form in a more recognizable fashion. Lovano plays a line that returns to its origin in a circular fashion and Frisell turns the theme into something else entirely as Motian uses the guitar as a foil, gently and continually slipping through the melody at double time or triple time, while grounding the tune all the same. This isn't impressionistic music; it's expressionistic. Emotion is the root of melody, but emotion is complex. It reveals itself in many ways. Motian plays accents, pointing to the center. "This Was Nearly Mine" by Rodgers & Hammerstein inverts song form and stretches it to the breaking point while never losing the root, never losing its lyric in the subtle, gentle washes of cymbals and guitar. There is great humor here, too. The understanding of Thelonious Monk's "Light Blue," taken at a slower tempo, reveals the harmonic complexities in the composer's music, while never losing its sense of the blues and swing. The improvisation that takes place here is wonderful. Motian sticks the beat in hard swing mode and then moves in and out of time, underscoring the shining head in the tune. What the Motian-Frisell-Lovano trio does best is play a music that requires deep listening. Motian writes that way, where intuition is important and listening more so -- because, after all, these song forms he creates are subtle, and require an approach that is at once gentle and adventurous. They reveal themselves slowly, but never unpleasantly even at their most angular. Time and Time Again reveals that this trio has more room, more vistas to explore; here they create a new kind of "art song," one that stretches the frame of the definition, while at the same time expanding it immeasurably. This is one of the bravest trios to come along in the last 20 years. ~ Thom Jurek

 

Posted on: 18 November 2017 by kuma
fatcat posted:

Jose Feliciano - Americano (Streaming) A nice album.

This is my favourite Feliciano tune. I finally sourced it in vinyl.

Also this tune dedicated to Motown's Berry Gordy when he moved from the RCA label. ( unfortunately, it did not work out for him, tho )

Posted on: 18 November 2017 by seakayaker

Finished playing.......

Paul Motain - Lost in a Dream

Paul Motian - Lost in a Dream

Paul Motian (drums), Chris Potter (tenor saxophone), and Jason Moran (piano)

Continuation of the exploration of the ECM catalogue

Notes from EMC: Birth of a great new band, captured live at New York’s celebrated Village Vanguard, with repertoire emphasizing Paul Motian’s wonderful ballad writing. New Motian tunes are juxtaposed with “Bird Song” (from “Tati”) and “Drum Music” and “Abacus” (first heard on Paul’s now legendary album “Le Voyage”). A free exploration of Irving Berlin’s “Be Careful It’s My Heart” completes a programme distinguished by gloriously supple playing from all three participants who are in tune at a high level. Or, as the New York Times noted, reviewing the concerts from which this album was drawn: “The accumulated wisdom within the band was clear.”