Chord Music and Sarum T Hybrid

Posted by: Bryce Curdy on 17 November 2017

Is anyone using a combination of Music and Sarum T rather than a full loom?  Does anyone have a view on the approach?  the technology involved is very similar.

I have a CD555, 555PSDR and 552DR connected via 2 Sarum T power leads to an Isol-8 PowerLine mains conditioner and then via a Music power lead to the wall.  A 300DR is connected directly to the wall via a third Sarum T power lead.  The two wall sockets are on separate MCBs within a dedicated consumer unit.  All other cables (RCA interconnect, DIN-XLR and speaker cable) are Sarum T.  Speakers are Sonus Faber Guarneri Tradition (home demo, likely to purchase).

Next week I'm auditioning the Music equivalents with my dealer.  Three Music mains leads is brutally expensive and probably overkill on a 300DR in any case.  Might make sense on a CD555/555PSDR and/or a 552DR.  Music speaker cable is brutal cost wise too because of the length (2 x 3.5m) involved.  I am lucky enough that if the results are outstanding I can afford them at a push however.  The RCA interconnect and DIN-XLR are the most affordable.  I'm assuming the RCA interconnect would be the priority or perhaps this is one combination where using the same cables would be important.

Posted on: 01 December 2017 by analogmusic
Hungryhalibut posted:
analogmusic posted:

it won't till you hear it for yourself HH. There is no extra leading edge emphasis on a vertere cable.

Their design philosophy is not to change the sound in any way. the best cables don't change the sound, they just get out of the way, which I can hear vertere doing very well.

Ah, but how can you hear what isn’t there?

by comparison with other cables. I now have Chord Chrysalis, Vertere, Naim, Chord Clearway Aray cables, and heard SL extensively.

Anyway you have the SL full loom, so obviously you must like what it does (or doesn't do, in the case of hi-end cables) since you bought it, twice !

For the Naim sound, just use Naim cables, that's my finding. That's where music is most engaging, and most enjoyable.

Simple.... No need to second guess Naim, and what I can hear is Naim really know and understand the Naim intended sound best.

Not Chord, not anyone else. Even the Chrysalis was designed with the help of Naim. 

Posted on: 01 December 2017 by Muttonjef
joerand posted:
analogmusic posted:

 well it is much closer to the Naim sound

AM, since you so often refer to 'the Naim sound' here can you describe exactly what that means to you? Possibly in terms beyond preservation of PRaT.

Analogue Music.......you’ve still not answered the above question which isn’t about cables but what you call “the Naim sound”

Posted on: 01 December 2017 by northpole

In some ways I admire Analogmusic's best endeavours to dig himself out of a bit of a hole and I think I'll back off whilst there is still an element of good humour in the thread!

Peter

Posted on: 01 December 2017 by Dave J
northpole posted:

In some ways I admire Analogmusic's best endeavours to dig himself out of a bit of a hole and I think I'll back off whilst there is still an element of good humour in the thread!

Peter

Yep, or else someone might ask if a Chord Dave is more Naim-sounding than a Naim DAC or NDS, or if Dynaudio speakers sound more Naim than Naim...  

Posted on: 01 December 2017 by james n

Harsh !

Posted on: 01 December 2017 by analogmusic

Hi Dave J,

even though I got a Chord Dave, I'm not posting on the internet that the Dave makes NDS sound "Pallid" or that Dave is far far ahead of a Naim source. (which is how you describe Chord Sarum cables next to Superlumina)

Dave is different, and I may came back to a Naim source someday and may well buy some naim speakers too.

Whether it is better than NDS, well that is very subjective.... some people make like it or not.

I recall reading somewhere that you thought the Chord Sarum cables made digital music enjoyable again... But in my view that's not the job of a cable, it's the job of a source to be engaging enough to listen to.

The very best cables are the honest ones, that simply get out of the way and tell you if a source is harsh sounding  

 

 

Posted on: 01 December 2017 by Innocent Bystander
Dave J posted:
northpole posted:

In some ways I admire Analogmusic's best endeavours to dig himself out of a bit of a hole and I think I'll back off whilst there is still an element of good humour in the thread!

Peter

Yep, or else someone might ask if a Chord Dave is more Naim-sounding than a Naim DAC or NDS, or if Dynaudio speakers sound more Naim than Naim...  

Maybe it is a matter of how strong a 'Naim sound' one wants? The discussion appears to suggest that SL gives more [added to or enhanhing any 'Naim sound' in the system], but to AM that is too much so he prefers Vertere.

As for a the elusive description of the 'Naim sound', there was a thread on that topic a few months ago on the forum ("the evolving naim sound" thread), in which I tried to get to understand it - but it didn't result in anywhere near a conclusive description: other than PRaT, there appeared to be an indication that the sound is not neutral, but emphasised some parts of the music in some way, maybe  to give a  'forward' sound. If people want to continue discussion of this perhaps it would be worth asking Richard to reopen that thread?

Posted on: 01 December 2017 by analogmusic

 

I like vertere but prefer superlumina  much more 

it got more boogie and groove 

Posted on: 01 December 2017 by Dave J
analogmusic posted:

Hi Dave J,

even though I got a Chord Dave, I'm not posting on the internet that the Dave makes NDS sound "Pallid" or that Dave is far far ahead of a Naim source. (which is how you describe Chord Sarum cables next to Superlumina)

Dave is different, and I may came back to a Naim source someday and may well buy some naim speakers too.

Whether it is better than NDS, well that is very subjective.... some people make like it or not.

I recall reading somewhere that you thought the Chord Sarum cables made digital music enjoyable again... But in my view that's not the job of a cable, it's the job of a source to be engaging enough to listen to.

The very best cables are the honest ones, that simply get out of the way and tell you if a source is harsh sounding  

 

 

Just a little leg pulling 

Yes, I think what I said was that, with Sarum in place, digital playback was delivering what I'd always hoped - and it claimed - it would. Up until that point I had always much preferred analogue. I wasn't using a KDS at that time, it was a Naim DAC and what I discovered was just how damn good the Naim DAC sounded, it had been almost emasculated before. Had I simply gone on to replace the DAC with something "better" without experiencing the Sarum impact, I might never have found peace with digital.  It's gratifying then that its impact on vinyl replay has been equally profound.

You're quite right, the best cables are the honest ones, the ones that get out of the way but some are a heck of a lot more honest than others and while ChordMusic gets out of the way like nothing else I've heard, Sarum T talks the same language.

As I mentioned before, I genuinely think you may have an issue with system set up if the Sarum you heard seemed aggressive (I do appreciate that you have yet to hear either T or Music). I think its more likely that it was revealing an issue that is masked by other cables that don't get out of the way quite so well.

Posted on: 01 December 2017 by analogmusic

Glad you are taking it in good spirit, much appreciated 

I am still very curious and will listen to Sarum T and ChordMusic when I get the chance. 

In the end it's good fun trying all these cables out and see how they change the sound.....

Also eye opening when trying these cables on non-naim systems and finding out just how much the cable has an influence over the final sound, quite amazing !

Which cable made the NDAC sound emasculated though   Hope it wasn't the lavender or the Hi-line???

 

Posted on: 01 December 2017 by Dave J

I'd best not say as it might have been one of them

Posted on: 01 December 2017 by joerand

Having previously run a 100% Naim system (barring speakers) on my digital side and as far as you can get on the vinyl side (barring an Aro), I was surprised to find, after switching to a quality non-Naim integrated, how much inserting a pair of S-400s seemed to fully restore Naim's sonic signature. The Naim sound for me being: 1) tight, accurate, solid, and tuneful bass; 2) clear, forward mids bordering on overly aggressive; 3) softly rolled-off highs; 4) a shallow but wide soundstage without much height; 5) highly musical and engaging with high-caliber recordings, but unforgiving and harsh with the lesser stuff; 6) the unforgiving factor (resolution?) magnified as I moved up the chain. Granted, you do gain inky blackness as you go higher.

Cables are tweaks. I've found cheaper ones that work for me with an open mind for the musicality and tonal balance factors. It comes down to cost/benefit versus time, and how you value your time spent exploring alternatives. In the end, expensive cables are legitimate choices if they satisfy you and feel you can afford them.