Detail vs Musicality - Is the sound more detailed or merely pruned?

Posted by: SongStream on 05 May 2018

I am sure the debate will have been had before, but a couple of things have lead to me to bring this up.  Firstly there is my DAC off that's been going on with DAC-V1 vs Qutest, which has been bugging me, and then there is the thread about the firmware update for the streamers to 4.6 getting some mixed reviews.  

Here's the thing, when someone describes something as being ultra detailed, whether that be a reviewer, a friend, or any of you fine folk, I almost straight away feel like that product won't be for me.  From experience I associate such a description with something that sounds very lean, and / or overly bright for my liking, and this has proved to be true a few times.  The fundamental requirement I have for a system is that it's believable.  Not necessarily indistinguishable from the real thing, and arguably that is impossible, but good enough to be thoroughly immersive, and leave me thinking about music and not hifi. 

Now, it's not that I don't want a detailed and revealing sound, of course I do, but I need it within that believable criteria, which for me means a degree of richness in the mid-band, allowing vocals to sound organic, and low down rhythm guitar to properly growl for example.  The other thing it needs is what I used to call musical impact, which I now believe marries up to what folk round here refer to as PRaT.  This is why I dislike things that sound 'airy', it's the best term I can come up with.  This airy effect can initially seem like a benefit, this impression of space between each individual instrument and vocalist, a sense of increased clarity.  But has anyone ever heard live music, acoustic or otherwise, and reported that it sounded airy?  I very much doubt it, because the fact is, it doesn't.  And when hifi sounds airy, it seems to diminish rhythmic impact, and dynamics, making things sound boring; I've found that mains conditioners have this effect with Naim and previous Cyrus system.

When the DAC-V1 had a firmware update a few years back, it became what I would call more detailed, and in a positive way, but the overall effect felt like a layer of mush had been removed.  Now this probably was a well calculated spot of unwanted noise pruning, allowing more important sonic artifacts to shine through.  Even at the time when I first realised there was a difference in SQ, I was a little concerned that this might rob some of the PRaT, but that proved not to be the case here and I had no problem with it.  The difference between the Qutest and the DAC-V1 is similar to the difference between the two firmware sounds.  Like the same thing has been done again, only this time it pruned a little too much.  

To give two specific examples what I'm trying to get at......

Agnes Obel - Aventine - The Curse

Listening to this track with the Qutest, Agnes seems much more solidly placed, her voice is right there and no question.  I think this is because the reverb does not come across as much with Qutest, so it seems more pin pointed.  Also, the backing vocals stand out more and the harmony of the two is more clearly evident.  When I play the same track on the V1 the first thing I realise is that the cello in particular is not only more full bodied and richer, but louder.  It is actually much louder. It's not that the backing vocals are not there, they're just not what grabs my attention, but if I listen for them, they're still there, plain as day, but the cello is stealing the show and pushing them into the background.  What I cannot explain is why the track seems to bounce along in a more enjoyable rhythmic way with the V1, but I do find this to be true also.

Tingvall Trio - Vägen - and track of the same name

While the Qutest reveals the decay in high notes from the piano more here, when the middle keys and even when the real bottom end comes in, it's all very uneventful compared to the DAC-V1.  I think this is the track that really put me off the Qutest most, just for the record.  With some other music, rock and pop stuff, the bass line the Qutest delivers is really cool, and somehow much more tuneful than the DAC-V1, and yet the low notes from a piano just seem so tamed and lacking impact, it's the lack of presence from the mid that annoys me the most, but still it's a bit weird.  

AC/DC - Back In Black - Shoot to Thrill

It is true that Qutest makes the bass line much easier to follow.  It is true that the lead and backing vocals are more pin point positioned, and the backing vocals more clearly defined.  However, compared to the V1, the drums don't have the same impact, the cymbals hiss more than ring, and the overall weight behind the guitar riffs seems to be lacking.  I mention this track because I hear all kinds of things playing via the Qutest, that just doesn't strike me with the V1, and even now I've noticed them, it's hard to pick some of them out when listening with the V1. And yet I enjoy the track, and album as a whole, more when listening with the V1.  But then it's equally fair the other way around to say that there are things the DAC-V1 hurls at you within this track, that the Chord seems to miss completely.  

What I am beginning to wonder is whether extra detail as we perceive it sometimes, is actually less detail, as all notes and all frequencies are detail, not just the ones that are in the background and sometimes go unnoticed.  Backing vocalists are in the background by design, the fact that something brings them more to the forefront, does not necessarily enhance the main event.  Could this be why perceived improvement in detail sometimes leads to diminished musicality for some?  Or....is it that, the Qutest for example, is simply in a league where only further up the ladder amps and speakers are able to bring the lost weight back, extracting more from its lean approach?  Hmm, I don't know.  What do you all think?

 

 

 

Posted on: 05 May 2018 by analogmusic

blimey... I had the Hugo1 and DAC V1, it didn't take me long at all to decide to keep the Hugo and sell the DAC V1.

play the "interstellar" track from Hanz Zimmer live in prague 2016 album

on this track ... the talents of the qutest will be obvious and you will understand...

 i've also mentioned before - you would need a real Naim interconnect (or Chord/vertere) to understand the skills of a Chord DAC with a Naim amplifier.... these are more musical cables.

Posted on: 05 May 2018 by SongStream

@analogmusic - I have played that track a couple of times since you mentioned it a couple of weeks ago.  I can see in a way why you would suggest it, but with either DAC, it doesn't really do it for me.  A track of a similar nature that I prefer is Everybody Knows from the Justice League soundtrack.  Thrash that through your DAVE and let me know what you think then.  On this one, the DAC-V1 nails it big time vs the Qutest.

Posted on: 05 May 2018 by Simon-in-Suffolk

Ali, I do think the Hugo1 is the special one in the stable... certainly from its sound performance, if you can live with its quirks specially if you have large fingers....

DAVE is great, but so far hasn’t done its stuff for me in a way that is compelling enough over the Hugo1 and more recent Chord devices just leave me a little uninspired...  I think we were spoilt with the Hugo1.   Feed it a good SPDIF transport, take care with cable dressing, regularly discharge and recharge, and I have yet to hear anything that has swayed me away... and since I got my 552 I have appreciated it even more....

Posted on: 05 May 2018 by SongStream
Alba1320 posted:

Why worry about it? You seem to have done extensive testing, and simply prefer the DAC-V1. Job done!

BTW, and AFAIK, it's not illegal to prefer a Naim (or other) DAC to something from Chord Electronics...

It's done for me.  I was sharing the thoughts with a broader topic in mind, I'm not really interested in debating the merits of Chord vs Naim DACs, although that will no doubt occur, I was just using it as an example.

Posted on: 05 May 2018 by analogmusic
Simon-in-Suffolk posted:

Ali, I do think the Hugo1 is the special one in the stable... certainly from its sound performance, if you can live with its quirks specially if you have large fingers....

DAVE is great, but so far hasn’t done its stuff for me in a way that is compelling enough over the Hugo1 and more recent Chord devices just leave me a little uninspired...  I think we were spoilt with the Hugo1.   Feed it a good SPDIF transport, take care with cable dressing, regularly discharge and recharge, and I have yet to hear anything that has swayed me away... and since I got my 552 I have appreciated it even more....

Hi Simon yes  .... the original  Hugo 1 was really a gamer changer in digital sources. Glad you enjoy it very much.

I also enjoy the Chord Mojo daily in my commute - very special to me, and never get bored of it.

Posted on: 05 May 2018 by SongStream
Simon-in-Suffolk posted:

Ali, I do think the Hugo1 is the special one in the stable... certainly from its sound performance, if you can live with its quirks specially if you have large fingers....

DAVE is great, but so far hasn’t done its stuff for me in a way that is compelling enough over the Hugo1 and more recent Chord devices just leave me a little uninspired...  I think we were spoilt with the Hugo1.   Feed it a good SPDIF transport, take care with cable dressing, regularly discharge and recharge, and I have yet to hear anything that has swayed me away... and since I got my 552 I have appreciated it even more....

I think what I would be interested to hear from you Simon, given your comments on the Hugo 2, which as I remember you described as a bit anemic, is whether Hugo 2 was more detailed, or less detailed, and the effect it had on your enjoyment of music?  Compared to Hugo 1 that is.

Posted on: 05 May 2018 by analogmusic

the thing is songstream... interconnects have quite a role to play, as unbelievable as it seems...

Simon uses a Naim Hi-Line RCA to DIN... this is a cable originally designed for the CD555, at one time the top cable from Naim.

It's still a very special cable today.

If you're going to keep the DAC V1, use it at least with the original Naim Lavender interconnect...

Posted on: 05 May 2018 by SongStream

I don’t think it’s unbelievable at all. I can hear difference betweeen different interconnects as clearly as anything else. I have one I really like. The whole system is working really well, and no gripes that would lead me to change anything. It would be reasonable to ask why did I try, and even buy, the Chord then. A question I cannot answer. I mentioned my interest in the ndx2 to a like minded friend recently, he said ‘if my system sounded as good as yours, I’d leave it well alone’. Possibly the best advice I could follow.

Posted on: 05 May 2018 by SamClaus

Songstream,

This is why I dislike things that sound 'airy', it's the best term I can come up with.  This airy effect can initially seem like a benefit, this impression of space between each individual instrument and vocalist, a sense of increased clarity.  But has anyone ever heard live music, acoustic or otherwise, and reported that it sounded airy?  I very much doubt it, because the fact is, it doesn't.

It does, of course, but it depends on the type of music that you listen to, and on the venue. Listen to a small string orchestra in a good concert hall (or a church) with first-class acoustics, and you will hear the detail. Perhaps you're not into that genre. Indeed the (few) rock concerts I've attended have left me with the distinct feeling that instrument placement, sense of space, etc. were pretty immaterial.

The HiCap I recently added to my amp has given me more detail, more space between the instruments, greater poise, etc. It all depends what you're after. 

Posted on: 05 May 2018 by Huge

Songstream,

It very much looks as though notes with a strong initial transient have much more impact via the DAC V1, but continuous tones are often more delicately preserved by the Qutest.   It's an interesting difference.

Posted on: 05 May 2018 by Simon-in-Suffolk
SongStream posted:
Simon-in-Suffolk posted:

Ali, I do think the Hugo1 is the special one in the stable... certainly from its sound performance, if you can live with its quirks specially if you have large fingers....

DAVE is great, but so far hasn’t done its stuff for me in a way that is compelling enough over the Hugo1 and more recent Chord devices just leave me a little uninspired...  I think we were spoilt with the Hugo1.   Feed it a good SPDIF transport, take care with cable dressing, regularly discharge and recharge, and I have yet to hear anything that has swayed me away... and since I got my 552 I have appreciated it even more....

I think what I would be interested to hear from you Simon, given your comments on the Hugo 2, which as I remember you described as a bit anemic, is whether Hugo 2 was more detailed, or less detailed, and the effect it had on your enjoyment of music?  Compared to Hugo 1 that is.

Good question.... I actually seemed to notice different things with the Hugo2 compared to the Hugo1... I can’t really say one is definitely more detailed than the other, however the impression from the Hugo2 with it highlighting things I hadn’t been drawn to before suggests it might be.. but I think more tricks on the mind.

But it is with the Hugo1 that ultimately sounds more natural and enjoyable to me, with a lovely ebb and flow, organic rightness and that Mandelbrot effect  that seems to compliment Naim wonderfully. The Hugo 2, and I did try the various filter settings, perhaps sounded more ‘hifi’ if there is such a thing... certainly very capable but ultimately less enjoyable. Now if I tried a NAC other than my 552DR it might be different of course.

Posted on: 05 May 2018 by SongStream
Huge posted:

Songstream,

It very much looks as though notes with a strong initial transient have much more impact via the DAC V1, but continuous tones are often more delicately preserved by the Qutest.   It's an interesting difference.

Yes, I think that's fair to say.  What Qutest does is all very impressive in a way, but I don't find it that enjoyable overall.  It's as though everything is being held back, and being able to hear that last bit of decay from one note, doesn't override the thrill from delivering the next one properly.  

Posted on: 05 May 2018 by SongStream
Simon-in-Suffolk posted:
SongStream posted:
Simon-in-Suffolk posted:

Ali, I do think the Hugo1 is the special one in the stable... certainly from its sound performance, if you can live with its quirks specially if you have large fingers....

DAVE is great, but so far hasn’t done its stuff for me in a way that is compelling enough over the Hugo1 and more recent Chord devices just leave me a little uninspired...  I think we were spoilt with the Hugo1.   Feed it a good SPDIF transport, take care with cable dressing, regularly discharge and recharge, and I have yet to hear anything that has swayed me away... and since I got my 552 I have appreciated it even more....

I think what I would be interested to hear from you Simon, given your comments on the Hugo 2, which as I remember you described as a bit anemic, is whether Hugo 2 was more detailed, or less detailed, and the effect it had on your enjoyment of music?  Compared to Hugo 1 that is.

Good question.... I actually seemed to notice different things with the Hugo2 compared to the Hugo1... I can’t really say one is definitely more detailed than the other, however the impression from the Hugo2 with it highlighting things I hadn’t been drawn to before suggests it might be.. but I think more tricks on the mind.

But it is with the Hugo1 that ultimately sounds more natural and enjoyable to me, with a lovely ebb and flow, organic rightness and that Mandelbrot effect  that seems to compliment Naim wonderfully. The Hugo 2, and I did try the various filter settings, perhaps sounded more ‘hifi’ if there is such a thing... certainly very capable but ultimately less enjoyable. Now if I tried a NAC other than my 552DR it might be different of course.

Well, I'm not listening with the same level of amplification, but I would have to agree that, and this is assuming that the Qutest is very similar to the Hugo 2, it does highlight different things in a recording.  In the short-term I thought this was good.  However, these little details are not necessarily very important, and also seem to be delivered at the expense of some things that I believe are, and during my demo time, I somehow overlooked the lack of impact and weight; fooled by the superficial extra detail and deep bass line performance maybe.

Posted on: 05 May 2018 by Harry

I agree that "job done" describes it best. Choices are endless. If we each have what we believe to be the best presentation suited to us, we've cracked it. It's when things nag......

I have frequently heard things described as "more detailed" which, to my ears, are merely emphasising different frequencies. Not bringing out more detail so much as shifting the balance. But you can never dismiss something until you've heard it, because boxes that have, to my ears, been genuinely more detailed are something to behold. And you never know where the next one will be coming from.

Posted on: 05 May 2018 by SongStream
SamClaus posted:

Songstream,

This is why I dislike things that sound 'airy', it's the best term I can come up with.  This airy effect can initially seem like a benefit, this impression of space between each individual instrument and vocalist, a sense of increased clarity.  But has anyone ever heard live music, acoustic or otherwise, and reported that it sounded airy?  I very much doubt it, because the fact is, it doesn't.

It does, of course, but it depends on the type of music that you listen to, and on the venue. Listen to a small string orchestra in a good concert hall (or a church) with first-class acoustics, and you will hear the detail. Perhaps you're not into that genre. Indeed the (few) rock concerts I've attended have left me with the distinct feeling that instrument placement, sense of space, etc. were pretty immaterial.

The HiCap I recently added to my amp has given me more detail, more space between the instruments, greater poise, etc. It all depends what you're after. 

I think detail is clearly, and stands to reason, evident at the type of venue you’re suggesting, but I am referring to something a bit different I think, and specifically a hifi thing. To me the term airy means nothing in terms of detail, it’s the weird artificial spacing effect that some products or tweaks introduce. 

Posted on: 05 May 2018 by SamClaus
SongStream posted:
SamClaus posted:

Songstream,

This is why I dislike things that sound 'airy', it's the best term I can come up with.  This airy effect can initially seem like a benefit, this impression of space between each individual instrument and vocalist, a sense of increased clarity.  But has anyone ever heard live music, acoustic or otherwise, and reported that it sounded airy?  I very much doubt it, because the fact is, it doesn't.

It does, of course, but it depends on the type of music that you listen to, and on the venue. Listen to a small string orchestra in a good concert hall (or a church) with first-class acoustics, and you will hear the detail. Perhaps you're not into that genre. Indeed the (few) rock concerts I've attended have left me with the distinct feeling that instrument placement, sense of space, etc. were pretty immaterial.

The HiCap I recently added to my amp has given me more detail, more space between the instruments, greater poise, etc. It all depends what you're after. 

I think detail is clearly, and stands to reason, evident at the type of venue you’re suggesting, but I am referring to something a bit different I think, and specifically a hifi thing. To me the term airy means nothing in terms of detail, it’s the weird artificial spacing effect that some products or tweaks introduce. 

I agree. As another member put it recently, the whole thing should sound totally natural, believable.

Posted on: 05 May 2018 by Brilliant

You can probably have all the strengths you mention while keeping the DAC-V1, by cleaning up the USB signal. This is what the fuss is all about with products the likes of the Rendu/SOtM. For instance with the ultraRendu feeding the V1, a lot of detail is revealed, (low level, spatial & timbrel) and yet the DAC is the same.

If you do not want to mess with such other little boxes and hookups, there are some other (more expensive) one box solutions you can try. You can get a one month trial period. NAIM might also be looking in this area in their next iteration - a V2 perhaps?

Posted on: 05 May 2018 by SongStream
Harry posted:

I agree that "job done" describes it best. Choices are endless. If we each have what we believe to be the best presentation suited to us, we've cracked it. It's when things nag......

I have frequently heard things described as "more detailed" which, to my ears, are merely emphasising different frequencies. Not bringing out more detail so much as shifting the balance. But you can never dismiss something until you've heard it, because boxes that have, to my ears, been genuinely more detailed are something to behold. And you never know where the next one will be coming from.

Wise words, Harry.  Very wise words.

Posted on: 05 May 2018 by analogmusic
Simon-in-Suffolk posted:
SongStream posted:
Simon-in-Suffolk posted:

Ali, I do think the Hugo1 is the special one in the stable... certainly from its sound performance, if you can live with its quirks specially if you have large fingers....

DAVE is great, but so far hasn’t done its stuff for me in a way that is compelling enough over the Hugo1 and more recent Chord devices just leave me a little uninspired...  I think we were spoilt with the Hugo1.   Feed it a good SPDIF transport, take care with cable dressing, regularly discharge and recharge, and I have yet to hear anything that has swayed me away... and since I got my 552 I have appreciated it even more....

I think what I would be interested to hear from you Simon, given your comments on the Hugo 2, which as I remember you described as a bit anemic, is whether Hugo 2 was more detailed, or less detailed, and the effect it had on your enjoyment of music?  Compared to Hugo 1 that is.

Good question.... I actually seemed to notice different things with the Hugo2 compared to the Hugo1... I can’t really say one is definitely more detailed than the other, however the impression from the Hugo2 with it highlighting things I hadn’t been drawn to before suggests it might be.. but I think more tricks on the mind.

But it is with the Hugo1 that ultimately sounds more natural and enjoyable to me, with a lovely ebb and flow, organic rightness and that Mandelbrot effect  that seems to compliment Naim wonderfully. The Hugo 2, and I did try the various filter settings, perhaps sounded more ‘hifi’ if there is such a thing... certainly very capable but ultimately less enjoyable. Now if I tried a NAC other than my 552DR it might be different of course.

Hi Simon

 

the Hugo 1 does sound brighter and thus maybe, possibly a more exciting listen (if this appeals?)  compared to all the Chord Dacs that came later, from Mojo, Dave, and then Hugo 2/Qutest.

Yet the Mojo/Dave voicing is ok to my ears, but depends on the speakers, I guess? I'm ok with both voicings....

I don't miss my Hugo 1 at all and love my  Chord Mojo very much, since musically to my years ...essentially they are almost the same design .... 

Posted on: 05 May 2018 by Innocent Bystander

What I felt primarily with Hugo ove ND5XS’s DAC was naturalness of presentation. And Dave over Hugo was stunning clarity and realism, keeping the naturalness. 

Posted on: 05 May 2018 by DC71

I've been getting on great with my Qutest, but only heard a v1 in the shop, not in my system.

I did find that qutest sounds right with a different interconnect & speaker cable combination to all the other DACs I've had. Without changing the cables I found similar to Songstream, midrange was robbed of richness and not enough transient impact to make the whole presentation believable and musical to my ears. But after finding a better cable combo, I'm having enormous fun listening, and no longer really think or worry about hifi things such as detail, instrument separation, air etc. The music just feels all 'there' in my room.

The other aspect to this is that a lot of music I like which I have found unlistenable on some super detailed hifi systems and even with some iterations of my system, is now not only listenable but really enjoyable. I feel like many audiophiles are prepared to trade off the ability to listen to their whole music collection in favour of extracting the maximum detail from relatively few well recorded albums. I can no longer tolerate a system that gives me hifi detail above musical engagement, or that makes half my favourite music unlistenable.

Posted on: 06 May 2018 by Pigeon_Fancier

Excellent post DC71. No-one stops a party to question whether mid-bass frequency has appropriate definition!  

I still vote for detail and separation. Conceding that some of my music collection is as a result less enjoyable, I’d counter that my tastes are changing and the recording quality and presentation to some non-trivial degree inform what music I like. 

Posted on: 06 May 2018 by Simon-in-Suffolk

Hi Ali, interesting, the Hugo1 is not at all bright in my system.. but I use Naim hiline interconnects, and ground my 552 through my CDX2, and feed the SPDIF from the galvanically isolated NDX which might all be something to do with it.

i think it’s bourses for courses and system synergy... what I did notice was the starting realism as well natural presentation with no notable highlighting from the Hugo that I really appreciated  when I got my 552DR... with the 252DR the Hugo sounded natural, and I could listen in, but i didn’t quite get that sense of realism I have with the 552.

I think the natural and full presentation with no exaggerated extremes is its endearing quality.

Now where DAVE would score more is if I listened extensively to hidef, where the larger filter kernel sizes over the Hugo would benefit... I have discussed this with Mr Watts.. but as I listen mostly to ripped CDs, the Hugo1 kernel size is upretty much on the money for me. Increasing the kernel size and controlling the additional resultant  EMI and ground plane modulation is a big part what you are paying for with DAVE.

Posted on: 06 May 2018 by SongStream
Pigeon_Fancier posted:

Excellent post DC71. No-one stops a party to question whether mid-bass frequency has appropriate definition!  ................

 

Exactly!!  But why not?  Where do people seek to hear more detail?

I have observed many many times that after auditioning something, or when commenting on the benefit of one thing vs another, the phrases "tighter deeper bass" and "sweet expressive highs" are always, near enough, the notable qualities reported.  Some also mention mid-range performance, often indirectly reading between the lines, but rarely is that the main feature.  Seems odd, as that's where the real action happens, and where our ears are most sensitive and capable.  

Posted on: 06 May 2018 by Simon-in-Suffolk
SongStream posted:

Exactly!!  But why not?  Where do people seek to hear more detail?

Exactly. Detail for details sake is an abstraction and unnatural. Surely, and certainly for me, it’s about being natural, to ally balanced and being drawn into the music rather than your attention being drawn to unnatural sounding artefacts.

Clearly the detail must be there, or you won’t be drawn in or able to listen in, and certainly the Mandelbrot effect would be extremely limited  but if the detail is presented in a way that is not natural sounding to your brain, there is, I suggest, no benefit to it

I also agree it’s about personal preference, and if a person prefers one device over another despite the marketing claims, or even technical merits, then it is indeed ‘job done’ for that choice... system synergy has a big part to play.