Mobile Hifi 3.0 - Pulled the trigger on Sony NW-WM1Z

Posted by: Bert Schurink on 03 June 2018

I was brave today and pulled the trigger on a warehouse deal of Amazon with a discount of 1100 euros on this magnificent toy. I am still a bit scared as I don’t know what to expect, how well will it look - why exactly has the device been discounted, it talks about some visual thing on the device...., so let’s see if I will get remorse. Potentially this might not be the end of the mobile story as I might also upgrade my Shure SE846 with a Silverdragon Cable or even to upgrade to a Shure KSE1200. But let me first process this and see if I have made a great deal. Or bought a cat in the sack as we say in the Netherlands....

The one thing which makes me also a bit scared is the fact that it’s an capped European version. But I hope that’s more than enough for my Shure...., otherwise I need to find a trick to uncap....

 

Posted on: 11 December 2018 by ChrisSU
northpole posted:

Do you happen to have a reference name/ number for the grey rubber tips?  I have ordered Shure's black ones in different sizes and it would be good to try out other recommendations whilst I am in this frame of mind - it won't last long!

Peter

On Shure’s UK website they are listed as 

EASFX1-10 GREY SOFT FLEX SLEEVES

and come in 3 sizes. Mine were supplied along with a selection of other types when I bought my SE846, and unlike the foam ones, don’t seem to wear out, so I just give then the occasional clean and stick them back on. 

Posted on: 11 December 2018 by northpole

Thank you kindly for locating this.

Peter

Posted on: 11 December 2018 by Bert Schurink

Anybody running their mobile setup with Shure KSE1200 or 1500, and if yes what are the experiences ?

Posted on: 12 December 2018 by ChrisSU
Bert Schurink posted:
ChrisSU posted:

Going back to the subject of tips for SE846, I notice most people mention a preference for the black spongy ones, either Shure’s own, or Comply. I’ve tried both of these, in different sizes, and just can’t get them to sound right. The soft grey rubber tips Shure supply with the 846 are way better for me. All the others I’ve tried sound worse, and the difference is huge. Maybe my ears are an odd shape?!

I also use the rubber tips, and most of the times I have a satisfying sound and seal, sometimes I am struggling. The other ones can seal better but I hate to constantly have to fold them and push them in again and hope the don’t unfold before you properly stuck them in...

With the foam tips, I was beginning to give up hope of getting a decent fit until I returned to the soft rubber ones. I was thinking of trying some custom moulded tips. The two options available in the UK seem to be Snugs or the Custom IEM co. Bert/James/anyone, have you tried these? I’d be interested to know if anybody found them worth the hassle and expense?

Posted on: 12 December 2018 by james n

Chris - I did consider the custom moulds, but after finding different sound signatures from the different Shure supplied tips, I was a bit concerned that I may end up with something that fitted exactly but with a sound that wasn't to my taste anymore. I'm certainly curious too...

Posted on: 12 December 2018 by northpole

Given the festive time of year I've also added to my order a pack of the tips which look like mini Christmas trees!  Anyone had positive outcome with these, apart from feeling festive?!

Peter

Posted on: 12 December 2018 by ChrisSU

If you’re talking about the white Shure ‘triple flange’ ones, I found them quite uncomfortable and not easy to get a good seal.  

Posted on: 12 December 2018 by Bert Schurink
ChrisSU posted:
Bert Schurink posted:
ChrisSU posted:

Going back to the subject of tips for SE846, I notice most people mention a preference for the black spongy ones, either Shure’s own, or Comply. I’ve tried both of these, in different sizes, and just can’t get them to sound right. The soft grey rubber tips Shure supply with the 846 are way better for me. All the others I’ve tried sound worse, and the difference is huge. Maybe my ears are an odd shape?!

I also use the rubber tips, and most of the times I have a satisfying sound and seal, sometimes I am struggling. The other ones can seal better but I hate to constantly have to fold them and push them in again and hope the don’t unfold before you properly stuck them in...

With the foam tips, I was beginning to give up hope of getting a decent fit until I returned to the soft rubber ones. I was thinking of trying some custom moulded tips. The two options available in the UK seem to be Snugs or the Custom IEM co. Bert/James/anyone, have you tried these? I’d be interested to know if anybody found them worth the hassle and expense?

Haven’t got to that path, I might consider if I move to a different solution. For instance if I would move to a Noble Kaiser Encore, that might convince me to move to custom. For my current Shures I wouldn’t consider it.

Posted on: 13 December 2018 by james n

A quick update on my journey.....

After a nice long trial of the Kimber Axios cable, I decided it wasn’t for me and it’s gone back. Whilst adding a touch more detail and transparency over the standard Sony balanced cable, for me it lost some of the verve and fun that the standard cable brings. The combination of the 1Z, Z1R and standard cable just sounds fun, engaging and just right to me and so that’s the way it will stay. The other downside was the rather microphonic nature of the Axios cable. Overall it’s a beautifully made (albeit expensive) cable and I’d certainly recommend anyone with a decent headphone setup to trial the cable . In the UK and via a certain Kendall based supplier, it’s a risk free 60 day trial.

Other than that, the 1Z sounds sublime and the Z1R phones have bedded in nicely - life is good

Posted on: 13 December 2018 by ChrisSU
james n posted:

Chris - I did consider the custom moulds, but after finding different sound signatures from the different Shure supplied tips, I was a bit concerned that I may end up with something that fitted exactly but with a sound that wasn't to my taste anymore. I'm certainly curious too...

I’m curious too, but probably not curious enough to bother with the extra expense and hassle of getting them made. If I hadn’t rediscovered how much better the soft rubber tips are for me, compared to foam tips, I’d be doing it, but not now. Maybe Bert will crack first, and then tell us that we all have to do it too!?

Posted on: 13 December 2018 by james n
ChrisSU posted:
Maybe Bert will crack first, and then tell us that we all have to do it too!?

Hopefully not - it's been a expensive couple of months. I must say the KSE1200 looks rather nice but i'll have to put Bert on my ignore list if he gets a pair to avoid being led into temptation... 

Posted on: 13 December 2018 by Bert Schurink
james n posted:
ChrisSU posted:
Maybe Bert will crack first, and then tell us that we all have to do it too!?

Hopefully not - it's been a expensive couple of months. I must say the KSE1200 looks rather nice but i'll have to put Bert on my ignore list if he gets a pair to avoid being led into temptation... 

Don’t worry too much I have hold off to the headphone issue for quite some time, but if I would get the 1200’s, you might be in trouble, I already heard at a show how good they are....

Posted on: 13 December 2018 by Emre

Sony with Encores are very good if you got a good fit, they are quite big..

i am using kimber axios Cu with utopia / sp1000, it is very good as well. Sp1000 now plays mqa as well

i have my eyes on Kse1200 for home use as closed ones... 

Posted on: 26 December 2018 by Bert Schurink

Looks like a new king has come review from nerdy tech...

 

First-Look Review of the Sony IER-Z1R Signature Series In-Ear Headphones

Audio engineering is like automotive engineering. The engine doesn’t get reinvented every year. But year after year, small improvements do gradually amount to something big. We generally don’t see huge improvements in sound within a single generation.

But there are exceptions. Over the past two years, there have been nearly half-a-dozen examples of audio equipment that’s almost totally reinvented the way it delivers sound. Interestingly, about half of those designs have come from Sony.

Sony IER-Z1R Signature Series In-Ear Headphones

The Signature series is basically what Sony calls a product that’s totally new, or otherwise greatly surpasses what it’s intended to replace. And the Sony IER-Z1R Signature Series In-Ear Headphones are deserving of the name. Representing a totally new way to develop IEMs, the Z1R are made to pursue sound reproduction in nuance and detail.

Sony IER-Z1R

Exactly what is new with the IER-Z1R? For starters, it’s a hybrid driver system. As opposed to using a single dynamic driver to cover the full range of sound, the IER-Z1R uses a total of three drivers. The drivers themselves are totally unique as well, a combination of Sony’s special balanced armature drivers and audiophile grade building materials.

Build & Design

The buds look pretty impressive. Each IER-Z1R earbud shines with an illuminative and metallic exterior. Its chassis is composed of a zirconium alloy, helping the buds remain quite resistant to corrosion. It’s even a fairly resistant to scratching. While the metallic build does provide slightly more heft than ordinary in-ear headphones, the difference is marginal and has no significant impact on comfort.

Sony IER-Z1R

Like similar audiophile equipment from Sony, the IER-Z1R uses a French pearl pattern across the outward faceplate of the buds. It’s highly identifiable, without being as simplistic as printing their logo across the bud. The included cabling uses a matching aesthetic, though you may find a variety of alternatives among replacement cables.

At the base of each earbud, there’s a connection space to link-up with one of Sony’s detachable cables. When in-ear headphones die, it’s generally because you develop a short in the wire. The IER-Z1R uses exceptionally high quality wiring, which is essential to their sound, as we’ll see later.

High quality or otherwise, all wires will fail sooner or later. Which is why it’s essential to have swappable wires on any top-shelf wired audio equipment. With the IER-Z1R, the wires can be attached by without much mechanical action. Just press firmly and they’ll snap into place. If there’s some type of accident and the wire is pulled with great force, the connection will allow itself to be released to save both components.

Sony IER-Z1R

Included Cabling

Speaking of cabling, Sony includes 3.5mm and 4.4mm audio cables. The construction of the cabling is worthy of the equipment. It’s a silver-coated oxygen-free copper cable, further bolstered with Sony’s unique plating structure. They used a gold playing undercoat rather than nickel. That’s because nickel can be magnetized, and is therefore capable of disrupting the signal. It shows both smart design and care in detail.

Audio Engineering

As the old adage goes, a jack of all trades is the master of none. Using a single dynamic driver to cover every portion of the sound spectrum is like using one colored marker to draw an entire meadow. The IER-Z1R tries to solve this problem by using more than one colored marker.

Within its zirconium chassis, there’s a total of three audio drivers working together. They combine to produce sound with more balance than you could ever hope to achieve using a single driver. And it’s essential to take a closer look at these drivers because they’re the basis of how the IER-Z1R deliver high levels of performance.

Sony IER-Z1R

Three Audio Drivers

The primary driver is exceptionally large, a 12mm dynamic driver with a diaphragm specially constructed with a magnesium alloy dome. The second driver is closer to average-sized for a pair of IEMs, only 5mm, and using an aluminum-coated liquid crustal polymer diaphragm. Additionally, this driver receives its power from an external magnetic circuit. It’s small touches like this that keep down noise and allow for frequency response to reach out to 100 kHz.

Rounding things out, the third and final driver is balanced armature driver made from magnesium alloy. BA drivers tend to have slightly inferior bass performance, but you don’t get that impression from the IER-Z1R whatsoever.

Sound engineers may never be able to reproduce truly deep bass inside a pair of tiny in-ear headphones. Some of that simply comes down to the amount of air volume that can be manipulated between the driver and your ear. But the IER-Z1R delivers bass with a richness and warmth that arguably exceeds any IEM on the market.

Material Construction Quality

One consequence of its magnesium alloy housing is that the IER-Z1R Signature Series can offer a more balanced soundscape than you can find with nearly any pair of in-ear headphones. All three of the drivers share a sound path, helping to generate a smooth mesh of mid-tones, clear treble, and smooth bass. The physical construction of the buds even is designed to manage the airflow of music towards the rear of the drivers.

Sony IER-Z1R

Internally, these buds use Sony’s audiophile grade proprietary equipment at every opportunity. Designed with gold-plated connection terminals, a silver-coated copper voice coil, construction quality is top notch in every detail. It’s these little details that help minimize distortion low and ensure little loss in signal path. And it’s details like that which are at the core of the IER-Z1R working to faithfully reproduce sounds and signals.

Customizable Comfort

Big headphone manufacturers like Sony don’t only study how to make things sound good. They study how to create almost everlasting comfort. Once brands like Sony have figured a few things out, others are left to try and imitate their success. To that end, Sony has leveraged a rather large ear shape database to help make the IER-Z1R more stable and comfortable.

For any pair of IEMs, audiophile or otherwise, finding a comfortable fit is essentially a matter of selecting the right combination of ear tips. Here, there are a total of 13 variations of comfort settings you can create with this kit. It’s a total of six triple comfort ear buds and an additional seven hybrid earbud tips. All in all, it’s about twice as large as the standard array of ear tips you get with in-ear headphones.

Sony IER-Z1R

Silicone and Ear Hangers

Additionally, it’s clear that care went into selecting the perfect silicone for these buds. Doing so is actually somewhat more complicated than you’d think. The softest silicone can be worn out after only a few weeks of regular use. The toughest silicone is rigid; you don’t want to stick it in your ear. And then there are the acoustic properties.

Sony’s worked out an extremely pleasant balance between them. It seems to work in the interests of longevity, comfort, and noise isolation. One more key ingredient in comfort is the presence of pre-formed ear- hangers.

Ear-hangers can be tough to get right, but with the modest curvature of these hangers, they’re actually quite adaptable. When you’re putting them in your ears, and let-go of the cord in your hand, the hangers ensure the cord doesn’t have to wind and wrangle as you release it. Another tiny detail that adds up to the overall experience.

Lasting Power

Anytime you’re spending more than a few hundred dollars on audio equipment, it’s fair to start asking questions about longevity. The good news is that audio equipment ages exceptionally well. When you take care of your equipment, it’s common to hear stories of gear lasting for two decades.

The IER-Z1R are corrosion resistant to keep their glossy sheen over years. With enough time, some scratching and weathering might occur. The Sony logo might fade away, but the buds will continue strong. The replaceable wire is an essential feature for any high-end headphones. Sony’s wiring is pretty impressive. There’s no reason to think these headphones won’t serve sensationally well in years to come, with the occasional wire replacement being necessary.

Sony IER-Z1R

Other Considerations

Like many of Sony’s better products, the IER-Z1R was crafted in Japan. Sony doesn’t have audio software specific to the IER-Z1R. But as one of the world’s largest and most prominent headphone manufacturers, Sony does have some solid headphone apps you can use.

Replacement parts tend to tack on some extra expense over time, especially when you’re dealing with proprietary equipment. But the replacement costs of cabling are likely negligible in this case, considering the exceptionally high quality construction of the cabling to begin with. Short of intentional abuse or handing the cable over to a pack of curious puppies, it’s probably going to last for a few years before you’ll want to replace it.

Sony offers a warranty on virtually all their equipment. The IER-Z1R includes the standard one-year headphone warranty. That warranty isn’t impressive, but if you look at the failure rate for in-ear headphone drivers, they either fall apart immediately or last forever. The shorter warranty is statistically adequate protection.

Sony IER-Z1R

Who Should Choose Sony IER-Z1R Signature Series in-Ear Headphones?

Having become used to high quality sound while you’re stationary, it’s only natural to want to be able to take it on the go. Conversely, you might never be stationary, and just want the bests sound quality you can get your hands on. The IER-Z1R uses high-grade parts from top to bottom.

The IER-Z1R delivers phenomenal performance, with faithful sound reproduction that incorporates micro-sounds to create a living sense of atmosphere. Acoustics are perfectly controlled. The bass is lean but there’s a warmth that helps even it out. The strings and woodwinds are handled well. Piano, bass, drums really show off the lower mid-range and bass tones.

Sony has taken considerable effort made to ensure your experience isn’t undercut with imperfect comfort. Constructed with their own unique 3-driver design, and made with a bundle of proprietary parts and technologies, you can’t even find imitators of the IER-Z1R. Usually, headphones are a matter of taste. But with three incredible drivers working together, the Sony IER-Z1R might be distinctly superior to virtually every other in-ear headphone on the market.

 
 
 
Posted on: 26 December 2018 by northpole

Bert

That review is rather vague to say the least!  The reviewer appears to have got hung up on there being three drivers per ear piece as some form of affirmation that these are seriously good IEM's.  Makes me wonder what he would have made of Noble Audio's  Kaiser Encore with 10 drivers or Jerry Harvey Audio Layla's which have 12 drivers per ear piece!!

I'm not saying they are bad, merely that the review ain't great!

Peter

Posted on: 26 December 2018 by james n

They look a bit bling Bert (although i said that about the 1Z and look what happened there). For away home use the 846's are still doing the business and i don't see that changing for a while. Sony do seem to be on a roll at the moment with this sort of kit so i'd expect them to be pretty special - the ear tip selection looks like it covers all bases, which as we know is pretty critical to IEM sound and comfort. 

Posted on: 26 December 2018 by Bert Schurink
northpole posted:

Bert

That review is rather vague to say the least!  The reviewer appears to have got hung up on there being three drivers per ear piece as some form of affirmation that these are seriously good IEM's.  Makes me wonder what he would have made of Noble Audio's  Kaiser Encore with 10 drivers or Jerry Harvey Audio Layla's which have 12 drivers per ear piece!!

I'm not saying they are bad, merely that the review ain't great!

Peter

I wouldn’t take so much from the reviewers comments as valuable. I just copied it in as I think it could be an interesting product and as the review gives a good overview of the product. Let’s wait for more educated reviews to see how good, average or bad the product is. Given the other products in the line i think it should at least deserve serious attention. 

Posted on: 27 December 2018 by Peter1480

Further information, it will be intresting to hear what they sound like act c £2000 against similar priced iems. I will take a lot of improvement to replace my Audeze LCDi4, SE 846, Final x-cc and Campfire Solaris.

Posted on: 28 December 2018 by Bert Schurink
Peter1480 posted:

Further information, it will be intresting to hear what they sound like act c £2000 against similar priced iems. I will take a lot of improvement to replace my Audeze LCDi4, SE 846, Final x-cc and Campfire Solaris.

Yes the asking price puts a big question on it, it must be really great for people to consider the switch. It’s not the type of money a fanboy would just put down to get them....

Posted on: 28 December 2018 by Phil_W

From what I understand the Sony iem was withdrawn from the market soon after release due to its signature. It was then taken back in house for further "tweaks"

Posted on: 07 January 2019 by Bert Schurink

As I am still exploring my headphone story on the Sony (no active follow up yet).

- I saw before somebody bring lyrical about the Focal Clear and Utopias for mobile use, while the question still remains for me leakage of sound in an office environment acceptable enough ?, but anybody experiences with the Eligia yet ?

- Anybody tried out the Sennheiser 820HD on a device like the Sony (enough power to drive)

- Anybody experience with THE Ultrasones Edition 15, 5 or 8EX

- Noble Kaiser is mentioned before, can somebody describe in what way they might be better than the Shure SE846

 

I look for insights from others to be able to be more productive when and if I enage myself in an upgrade. It’s not so easy to compare the different options without serious traveling effort. And as background info for anybody willing to give their viewpoint, I would like to avoid to add amplification to my mobile setup. I consider broad options as I am on the one hand torn between the practicality of in ear, against the potential wins in sound quality in over ear options.

Posted on: 07 January 2019 by northpole

I took mine as hand luggage through airport security a week or so ago and ran into problems with the xray machine at Standsted airport - the little sony is a very solid block of metal which the machines could not figure out hence I was delayed a few minutes whilst security staff searched through my belongings to find the culprit!  I only have the SE846 so am unfortunately unable to comment on alternatives just now!

Peter

Posted on: 07 January 2019 by Emre
Bert Schurink posted:

As I am still exploring my headphone story on the Sony (no active follow up yet).

- I saw before somebody bring lyrical about the Focal Clear and Utopias for mobile use, while the question still remains for me leakage of sound in an office environment acceptable enough ?, but anybody experiences with the Eligia yet ?

- Anybody tried out the Sennheiser 820HD on a device like the Sony (enough power to drive)

- Anybody experience with THE Ultrasones Edition 15, 5 or 8EX

- Noble Kaiser is mentioned before, can somebody describe in what way they might be better than the Shure SE846

 

I look for insights from others to be able to be more productive when and if I enage myself in an upgrade. It’s not so easy to compare the different options without serious traveling effort. And as background info for anybody willing to give their viewpoint, I would like to avoid to add amplification to my mobile setup. I consider broad options as I am on the one hand torn between the practicality of in ear, against the potential wins in sound quality in over ear options.

Hello Bert 

As far as i understand you are looking for a end game closed can or iem, so i am not commenting about Utopia  maybe i will....

- My opinion dont go for HD820, is overpriced HD800S..... if you want a close one there are good value options, like focal Elegia, very good with a better price. Even Sony MDR1Z could be an option, Mr. Speakers Ether C closed, if you like warm signatures Fostex TH900. Also Shure KS1200 electrostatic is an option as a different choice for closed back experience. 

- I own the Kaiser Encore, the shure is whole different animal, is like a boom box sound, no sound stage, bass is not tight, very forward mids, Encore is all precision still very good and alive. Now they are very good chinese IEM for 100-200 that can kick the ass of shure846... BGVM D6 is very but very good.

Dont buy it at full price they are doing a 15-20% discount on black Friday or in July. Also there is a new IEM coming from Noble called Khan, they got pre orders with discount ( 2400USD list price ) will be delivered in March.

I recommend you to check Campfire Andromeda, you will be all gold with 1Z. New Sony IEM is almost the double price of Solaris, i have not listen it yet. Also check Inear stagedriver SD5... very interesting for sure.

But i strongly recommend kimber cabled ( mine is cooper one, low price one ) 4.4mm connection Utopia!!! You will need silence to enjoy it. 

As for the new Sony " Portable but not desktop Amp/Dac " i think they missed the target this time, offering a desktop without desktop power, an over priced and underperformed Hugo 2 from what i read... 

I also recommend a SP1000M for going mobile, it is very but very good. Now it is with offline Tidal/MQA and soon even Roon, it became a very good transport/streamer actually. I listen to it almost same as mine SP1000 way better than my SR15 

 

Posted on: 07 January 2019 by Bert Schurink
Emre posted:
Bert Schurink posted:

As I am still exploring my headphone story on the Sony (no active follow up yet).

- I saw before somebody bring lyrical about the Focal Clear and Utopias for mobile use, while the question still remains for me leakage of sound in an office environment acceptable enough ?, but anybody experiences with the Eligia yet ?

- Anybody tried out the Sennheiser 820HD on a device like the Sony (enough power to drive)

- Anybody experience with THE Ultrasones Edition 15, 5 or 8EX

- Noble Kaiser is mentioned before, can somebody describe in what way they might be better than the Shure SE846

 

I look for insights from others to be able to be more productive when and if I enage myself in an upgrade. It’s not so easy to compare the different options without serious traveling effort. And as background info for anybody willing to give their viewpoint, I would like to avoid to add amplification to my mobile setup. I consider broad options as I am on the one hand torn between the practicality of in ear, against the potential wins in sound quality in over ear options.

Hello Bert 

As far as i understand you are looking for a end game closed can or iem, so i am not commenting about Utopia  maybe i will....

- My opinion dont go for HD820, is overpriced HD800S..... if you want a close one there are good value options, like focal Elegia, very good with a better price. Even Sony MDR1Z could be an option, Mr. Speakers Ether C closed, if you like warm signatures Fostex TH900. Also Shure KS1200 electrostatic is an option as a different choice for closed back experience. 

- I own the Kaiser Encore, the shure is whole different animal, is like a boom box sound, no sound stage, bass is not tight, very forward mids, Encore is all precision still very good and alive. Now they are very good chinese IEM for 100-200 that can kick the ass of shure846... BGVM D6 is very but very good.

Dont buy it at full price they are doing a 15-20% discount on black Friday or in July. Also there is a new IEM coming from Noble called Khan, they got pre orders with discount ( 2400USD list price ) will be delivered in March.

I recommend you to check Campfire Andromeda, you will be all gold with 1Z. New Sony IEM is almost the double price of Solaris, i have not listen it yet. Also check Inear stagedriver SD5... very interesting for sure.

But i strongly recommend kimber cabled ( mine is cooper one, low price one ) 4.4mm connection Utopia!!! You will need silence to enjoy it. 

As for the new Sony " Portable but not desktop Amp/Dac " i think they missed the target this time, offering a desktop without desktop power, an over priced and underperformed Hugo 2 from what i read... 

I also recommend a SP1000M for going mobile, it is very but very good. Now it is with offline Tidal/MQA and soon even Roon, it became a very good transport/streamer actually. I listen to it almost same as mine SP1000 way better than my SR15 

 

Thanks for the good insights Emre. I will consider your tips for the headphones / earphones. I will not consider changing my Sony though. I find it nicer sounding than the Astell and Kern, while I can appreciate that they are great DAP’s. The Tidal connection would be nice / however mobile I don’t use it that much and rely on my 600 gb of onboard storage.

Posted on: 07 January 2019 by Adam Zielinski

Guys

For that sort of money you can have your custom-moulded ultra-high quality headphones from either UltimateEars or Westone.
Most of the current fashion for in-ear headphones stems from those two Pro brands.
Their primary use is in-ear monitoring for either on-stage or in studios. However their sound quality is absolutely on par with our ‘audiphile’ requirements.

I’ve used Westone for many years now. They are so sensitive, my AKG wireless transmitter has a limiter running, just in case something goes wrong and I get a signal spike, which could blow my ear-drums out.

Alternatively - have a look at Shure SE series.