NDX and Chord Hugo

Posted by: Foxman50 on 18 April 2014

I have been contemplating adding a DAC to my NDX/XPS2 to see (or should that be hear) what it can bring to the party. And so thought it about time i made inroads into Having a few home demos. After looking around at products that are within my budget i came across the Chord Hugo DAC.

 

Although it is meant to be a portable headphone unit, it can be used as a full line level fixed DAC.

 

The dealer lent me a TQ black digital coax lead, which have twist grip plugs. This was required as the present batch of Hugo's have a case design fault that wont allow any decent cable to fit, soon to be rectified. Thankfully the TQ just manages to hang on to the coax port.

 

Once all connected and gone through the minimal setup procedure of the Hugo, what does the red LED mean again, i left it to warm up for half an hour.

 

Poured a beer and sat down for an evenings listening.

 

What was that, where did that come from, that's what that instrument is. OMG, as my little'n would say, Where is it getting all this detail from.

 

After spending last night and today with it, all i can say is that it has totally transformed my system from top to bottom. I never considered my NDX to be veiled or shut in, not even sure that's the correct terms. All i can say is its opened up the sound stage and space around instruments. Everything I've put through it has had my toes, feet and legs tapping away to the music.

 

Even putting the toe tapping, the resolution the clarity to one side, what its greatest achievement for me has been in making albums that I've had trouble listening too enjoyable now.

 

One added bonus is that it has made the XPS redundant. I cannot hear any difference with it in or out of the system.

 

While i thought a DAC may make a change in the degree of the jump from ND5 to NDX, i was not prepared for this. Anyone looking at adding a PSU to there NDX may want to check this unit out first.

 

For me this has to be the bargain of the year.

 

Posted on: 29 May 2014 by Jan-Erik Nordoen

Posted on: 29 May 2014 by Jan-Erik Nordoen

Posted on: 29 May 2014 by Jan-Erik Nordoen

Posted on: 29 May 2014 by Jan-Erik Nordoen

Posted on: 29 May 2014 by Hook

For additional thoughts from Watts on DSD, see post 2481 in the long-running Head Fi thread. Again, sorry if this is old news for some of you.

 

Hook

 
Posted on: 29 May 2014 by GraemeH

image Who, me?

Posted on: 29 May 2014 by Jan-Erik Nordoen

Hope you enjoyed the dog pics. If not apologies, as Jan runs away with the mouse sometimes.

 

Hook, thanks for the post number on Rob Watts take on DSD, as I had read it earlier and been trying to track it down again. He makes a convincing case against pure DSD, so it will be interesting to see how PS Audio's pure DSD Direct Stream DAC sounds in comparison.  

Posted on: 29 May 2014 by GraemeH
Originally Posted by Jan-Erik Nordoen:

Hope you enjoyed the dog pics.

 

 

Yes...but I'm more worried about the pig....heading home now so hope the house is in order!

 

Thanks

 

G

Posted on: 29 May 2014 by Mike-B

Entertaining dog funnies .......  but getting back to the Hugo,  its reviewed in this months HiFi World. 

 

 

 

Posted on: 29 May 2014 by GraemeH

That's 24h on it now and the 'analogue-ness' is difinitely shining through compared to last night's first switch-on listens.

 

DC1 cable arrives tomorrow just in time for a good weekend session - celebrating my 50th with Hugo (and my wonderful family of course!).

 

Sounding very promising.

 

G

Posted on: 29 May 2014 by cat345

I hope there will be no more reviews of the Hugo as I fear too much demand might push production to Asia..

Posted on: 29 May 2014 by Bart
Originally Posted by GraemeH:

That's 24h on it now and the 'analogue-ness' is difinitely shining through compared to last night's first switch-on listens.

 

DC1 cable arrives tomorrow just in time for a good weekend session - celebrating my 50th with Hugo (and my wonderful family of course!).

 

Sounding very promising.

 

G

Happy Birthday to you!

Posted on: 29 May 2014 by GraemeH

Thank you!

 

Got what I thought was my first present in the post and it turned out to be a bowel screening kit.  

 

Welcome to middle age!

 

G

Posted on: 29 May 2014 by Simon-in-Suffolk

Indeed, many happy returns for your 50th  And your screening kit 

I hope you get some time to enjoy (the Hugo that is). My brand new one is picked up on Saturday... So back to the burn in period. Listening  to Mel Tormé right now.. Very relaxing.

Simon

 

Posted on: 29 May 2014 by GraemeH

Cheers Simon. I'll be ahead of you on the burn...

 

G

Posted on: 29 May 2014 by Bart
Originally Posted by GraemeH:

Thank you!

 

Got what I thought was my first present in the post and it turned out to be a bowel screening kit.  

 

Welcome to middle age!

 

G

A worthwhile endeavour, that screening.  The "prep" is the worst part of it!

Posted on: 29 May 2014 by Hook
Hi Wat -
 
Have interwoven a few questions and comments below...again in blue.
 
Originally Posted by Wat:
 

Dear Mr Hook (apologies if it is Captain rather than Mister)

 

No honorific necessary -- Hook alone will do just fine. It's a nickname that some friends gave me when I was just a kid, and it has stuck with me for many, many years.

 

Thank you for correcting my error. I was able to audition three DACs during one cold wet Friday & two of three (according to their data sheets) process DSD without converting to PCM. Hugo was indeed the odd DAC out. Nonetheless, I preferred the sound from all three when the original source files were DSD. And i prefer my own TEAC DAC when the original source file is DSD. This now strikes me as odd when i read Hugo converts to PCM, but it is the result I heard nonetheless. 

 

It sounds like you prefer all four dacs (TEAC, Hugo, ExaSound and Antelope) when the source file is DSD. If it wouldn't be too much trouble, I would be interested to hear how you step-ranked them, and if that ranking changed when you switched from DSD to PCM.  And in the case of PCM, would also be interested to hear where you rank the Naim DAC/555PS versus the other four.

 

Whatever, the strangeness in explaining my findings, one thing is for sure. Hugo & the DACs from ExaSound and Antelope sounded far more analogue/enjoyable than my Naim DAC with its 555PS.

 

Though I have not heard any of these fine dacs, your comment does not surprise me.  I find the NDS has more in common with my vinyl setup than did the Naim DAC that proceeded it.  To my ears, both are enjoyable...just in different ways.

 

This in no way implies i think the Naim digital units are bad, but it seems others have moved ahead.

 

I am looking forward to hearing a Chord dac, but am undecided if I will demo a Hugo, or wait for upgrades to its larger siblings. In either case, am not really interested in chasing more "hi-fi detail" than what I currently hear from the NDS, as I am not convinced that more detail alone can add to my enjoyment of the music. I really like the balance the NDS strikes between detail and "musicality" (for lack of a better word). I can lean forward and hear as deep into a mix as I want, or I can just as easily lean back and listen to the music as a whole. This feeling of rightness is not something I am willing to let go easily. But  at some point, am sure that curiosity will get the better of me.  Or perhaps by then Naim will release their mythical MOAD...we'll see.

 

I honestly prefer the sound of a computer playing high resolution files through Hugo to anything I have heard from a Naim digital source. It in no way surprises if people find adding Hugo to digital output of the NDS improves the sound of music substantially. Contrariwise, if they found it didn't that would surprise me. But views on what sounds best are subjective. 

 

Too true!  I respect your passion for DSD, but the format alone doesn't ring my bell. TBH, I've also been underwhelmed by high resolution PCM. IME, the biggest differences I hear are in the mastering (e.g., McMaster versus RVG Blue Note releases).  I do hear a significant improvement going from a Spotify 320kbps stream to a CD rip of the same album, but I really have to work hard to hear improvements at higher resolutions.  Maybe my hearing is starting to go?  Really should get the old lug holes checked one of these days...

 

Is Hugo the best sounding DAC I have heard .... no.  However, it is likely to become my choice for my final DAC unless i can get a very favourable trade-in for my existing digital source. I am still keen to hear the PS Audio DirectStream, but I am dubious about the support for it in the UK. Hugo does seem to be the best value for money DAC around and it is designed and manufactured in the UK so support is no issue. 

 

So once again i thank you for correcting the information i gave earlier. 

 

Look forward to reading what you eventually choose to go with. It is amazing how many great choices there are right now.  Have a feeling that those of us who are around in 20+ years will look back fondly on this as a "golden age" of digital audio.  In other words, it is hard for me to imagine how much better the sound quality can get.  I feel like I am pretty much at my saturation point...

 

And lastly in answer to Ralf's question: I say Yes, Hugo definitely can even though i would like to say no, as an owner of the more expensive source. Others may hear differently, but then some are willing to pay more for a fancy Ethernet patch lead than the cost of Hugo: i know what i think offers far better sound. 

 

All the best, Wat 

 

Cheers, and should you bump into him, please pass along my regards to dear old Guido Fawkes!

 

Hook

 

Posted on: 29 May 2014 by analogmusic

I think we have pretty reached the limits of what is possible with DAC technology today

 

The next innovations will come from DSP processing. Some work has been by Naim already.

 

There is nothing much more that can be done with ADC and DAC technologies on the Hardware side.

 

Yes Chord will go on increasing the number of TAPS, but what is the point of climbing that huge ladder, if the ladder is going the wrong direction.

 

I have been listening to a few recording lately, and no amount of hardware excellence care cure a poor recording.

 

DSP, on the other hand.... 

 

 

Posted on: 29 May 2014 by Foxman50

 

Originally Posted by analogmusic:

I think we have pretty reached the limits of what is possible with DAC technology today

 

your basing this on what knowledge

 

The next innovations will come from DSP processing. Some work has been by Naim already.

 

There is nothing much more that can be done with ADC and DAC technologies on the Hardware side.

 

your basing this on what knowledge

 

Yes Chord will go on increasing the number of TAPS, but what is the point of climbing that huge ladder, if the ladder is going the wrong direction.

 

your basing this on what knowledge

 

I have been listening to a few recording lately, and no amount of hardware excellence care cure a poor recording.

 

what hardware have you tried

 

DSP, on the other hand.... 

 

 

 

Posted on: 29 May 2014 by GraemeH

Interesting that I now recall a number of us here repeatedly asking, albeit somewhat glibly, for naim to produce a 'Reference Dac at 555/NDS level or above and in a 'shoebox' case'.  Some said their would be no substantive market for such.

 

Hugo is exactly what I've been looking for. In a few years as the technology develops it is easily replaced.

 

G

Posted on: 29 May 2014 by Simon-in-Suffolk
Originally Posted by analogmusic:

I think we have pretty reached the limits of what is possible with DAC technology today

 

The next innovations will come from DSP processing. Some work has been by Naim already.

 

There is nothing much more that can be done with ADC and DAC technologies on the Hardware side.

 

Yes Chord will go on increasing the number of TAPS, but what is the point of climbing that huge ladder, if the ladder is going the wrong direction.

 

I have been listening to a few recording lately, and no amount of hardware excellence care cure a poor recording.

 

DSP, on the other hand.... 

 

 

I am not sure this is the case, yes the DAC/DSP  theory is extremely well understood and established, but the implementation and design of its hardeare is something else.

As I have mentioned before on the forums, digital to analogue conversation in the real world is a compromise or approximation. Converting the discrete samples into a continuous analogue signal uses a reconstruction filter. This is usually done digitally and is  implemented as an FIR aka 'moving average' filter or a recursive IIR filter and is the critical DSP in the DAC process. This theory of this is very well established, but the implementation is constrained by real world circuitry and computational limitations.

However the more effective and accurate the FIR filter the more stages or taps it needs. This takes more computational power and because of DSP convolution (sample multiplication) requires more precision so that information is not lost through compounded rounding errors.

This is where I feel advances in DAC technology including it's DSP are seemingly taking place, by reducing the power demands and increasing precision thereby allowing a more accurate reconstruction filter so more information is recovered into the analogue signal. It's not all about the number of bits and sample rate. To my ears Chord have demonstrated this admirably.

 

interestingly if one wanted to additionally use DSP to modify the data for other reasons such as dealing with room acoustics, one would also benefit from the above advances.

Simon

 

Posted on: 30 May 2014 by james n
Originally Posted by analogmusic:

I think we have pretty reached the limits of what is possible with DAC technology today

 

The next innovations will come from DSP processing. Some work has been by Naim already.

 

There is nothing much more that can be done with ADC and DAC technologies on the Hardware side.

 

Yes Chord will go on increasing the number of TAPS, but what is the point of climbing that huge ladder, if the ladder is going the wrong direction.

 

I have been listening to a few recording lately, and no amount of hardware excellence care cure a poor recording.

 

DSP, on the other hand.... 

 

 

Rob Watts has always been ahead of the curve with very innovative solutions back in the original days of DPA and that carries on with his work with Chord. The low voltage implementation also has benefits with conducted and radiated EMI gives the design engineers a helping hand in a very complex mixed signal environment. It'll be interesting to see how this latest development trickles across to other Chord products.

Posted on: 30 May 2014 by Jude2012
Originally Posted by james n:
Originally Posted by analogmusic:

I think we have pretty reached the limits of what is possible with DAC technology today

 

The next innovations will come from DSP processing. Some work has been by Naim already.

 

There is nothing much more that can be done with ADC and DAC technologies on the Hardware side.

 

Yes Chord will go on increasing the number of TAPS, but what is the point of climbing that huge ladder, if the ladder is going the wrong direction.

 

I have been listening to a few recording lately, and no amount of hardware excellence care cure a poor recording.

 

DSP, on the other hand.... 

 

 

Rob Watts has always been ahead of the curve with very innovative solutions back in the original days of DPA and that carries on with his work with Chord. The low voltage implementation also has benefits with conducted and radiated EMI gives the design engineers a helping hand in a very complex mixed signal environment. It'll be interesting to see how this latest development trickles across to other Chord products.

Having reflected on the experiences of folks so far, I am also thinking about what Chrod and Naim will do next. 

 

The Hugo, to me, seems an excellent mobile product that can be adapted for use in the home and is great way for Chord to recoup their R&D expenses by selling in volume.

If I had a NAC or SN2 already, I guess I would auditon the Hugo and depending on the outcome, buy it to replace the V1.

 

J

 

 

Posted on: 30 May 2014 by tonym

I agree DSP is the future for Hi-Fi reproduction. As I've mentioned before, my Chord QBD76 DAC is the best digital source I've heard, but the biggest change I've made to my system in recent times has been the use of the Amarra iRC room correction software. This is seriously impressive and much as I love my LP12, I've now been leaning increasingly toward the DAC as my best source. I've taken to ripping my best vinyl using a Tascam recorder so I can take advantage of the DSP.

 

I'm convinced Naim are working on DSP for their next generation of digital products; they've considerable expertise in this area via the Bentley car system and now we see it appearing in the Muso. Interesting times ahead I think.

Posted on: 30 May 2014 by likesmusic
Originally Posted by tonym:

...

 

I'm convinced Naim are working on DSP for their next generation of digital products; they've considerable expertise in this area via the Bentley car system and now we see it appearing in the Muso. Interesting times ahead I think.

+ 1

 

Meridian already have some pretty seriious looking active digital loudspeakers with DSP, so do Linn. I'm sure naim will be working on their own solution.