NDX and Chord Hugo

Posted by: Foxman50 on 18 April 2014

I have been contemplating adding a DAC to my NDX/XPS2 to see (or should that be hear) what it can bring to the party. And so thought it about time i made inroads into Having a few home demos. After looking around at products that are within my budget i came across the Chord Hugo DAC.

 

Although it is meant to be a portable headphone unit, it can be used as a full line level fixed DAC.

 

The dealer lent me a TQ black digital coax lead, which have twist grip plugs. This was required as the present batch of Hugo's have a case design fault that wont allow any decent cable to fit, soon to be rectified. Thankfully the TQ just manages to hang on to the coax port.

 

Once all connected and gone through the minimal setup procedure of the Hugo, what does the red LED mean again, i left it to warm up for half an hour.

 

Poured a beer and sat down for an evenings listening.

 

What was that, where did that come from, that's what that instrument is. OMG, as my little'n would say, Where is it getting all this detail from.

 

After spending last night and today with it, all i can say is that it has totally transformed my system from top to bottom. I never considered my NDX to be veiled or shut in, not even sure that's the correct terms. All i can say is its opened up the sound stage and space around instruments. Everything I've put through it has had my toes, feet and legs tapping away to the music.

 

Even putting the toe tapping, the resolution the clarity to one side, what its greatest achievement for me has been in making albums that I've had trouble listening too enjoyable now.

 

One added bonus is that it has made the XPS redundant. I cannot hear any difference with it in or out of the system.

 

While i thought a DAC may make a change in the degree of the jump from ND5 to NDX, i was not prepared for this. Anyone looking at adding a PSU to there NDX may want to check this unit out first.

 

For me this has to be the bargain of the year.

 

Posted on: 26 June 2014 by Steve J

Thanks Simon. I will probably put the Hugo on the low spare shelf. It's not possible to put it on the top level as the PS DAC is too big to go anywhere else.

 

 

Posted on: 26 June 2014 by Simon-in-Suffolk

I suspect that won't make a huge difference.. As with the others am interested to hear how you get on.

Enjoy...

Simon

 

Posted on: 26 June 2014 by Foxman50
Originally Posted by Steve J:

David v Goliath. 

 

Over the last few days I have had the new PS Audio DirectStream DAC on home demo. Today the humble Hugo arrived. Over the next few days I will evaluate and compare the two DACs.

 

The system is a basic MacMini, WD 8Tb dual Raid, iTunes, Audinirvana setup with a basic micro USB on the Hugo and a Chord Silver USB on the PS. The connection to the 552 is via a phono-DIN Hiline for both.

 

I'll not give anything away until I've finished comparing both of them. I have ALAC, hires FLAC and a couple of pure DSD files to play.

 

Watch this space!

 

Here's a pic of them together. As you can see the difference in size is enormous. In fact the PS Audio DAC is quite a bit bigger than the 552.

 

 

Steve

 

Steve

 

if you get a chance would you compare wav and flac files into these two as well.

 

Graeme

Posted on: 26 June 2014 by Steve J

Will do. 

Posted on: 26 June 2014 by Simon-in-Suffolk

Wat, what are you trying to say here...?

"we are probably talking 0.0003% at 0db in sound quality terms"

Posted on: 27 June 2014 by Kiwi cat

Thanks Wat for your prompt advice earlier today. Will give it a go in the near future with my US/SU combo. Must admit I love the simplicity of Nstream but if sound is better may be prepared to faff around with the N-serve app as well.

 

 

Posted on: 27 June 2014 by likesmusic

Wat - I believe that Rob Watts advocates optical where possible, and he has also said that the Olimex USB isolator improves performance of the SD USB input on the Hugo. 

 

Posted on: 27 June 2014 by Big Bill
Originally Posted by Simon-in-Suffolk:

Wat, what are you trying to say here...?

"we are probably talking 0.0003% at 0db in sound quality terms"

Yeah I didn't understand that either.  Was he not talking about a digital signal going to a DAC?  So what is the distortion of the digital signal and why on earth is it important - IT IS DIGITAL?  I ain't even gonna ask what is 0db in the digital World.

 

You wouldn't want your 'transport' (whatever that transport is?) to send a lot of noise to your DAC, I don't think anybody would disagree with that.  But obviously some DACS would have better noise rejection than others.  The Hugo noise figure quoted of -136db I would expect is any noise generated by Hugo itself, after all its designer could have no idea what noise is going to be sent to it.

 

The idea of using a PC (of any make, yes Apple too guys) as front end to a DAC seems like dangerous talk to me but if the Hugo is good enough at noise rejection and it is an asynchronous (ie re-clocks) DAC then even though it is expensive it will make a fairly cheap system.  Just strap-on a 24-bit capable sound card (cheap), isolate the PC mains and you are away.

 

Is this a viable option?

Posted on: 27 June 2014 by Foxman50
Originally Posted by Steve J:

Will do. 

Many Thanks Steve

Posted on: 27 June 2014 by Big Bill
Originally Posted by Wat:

Anyway this sounds like a difference of opinion, so I'll leave it at that. Please can we agree to differ on our views on whether FLAC sounds different from WAV when it the PCM is extracted from it and sent out of the USB port on a Mac Mini. Don't think it is worth a debate. 

 

To be honest Wat I never said that at all.  But if the same PCM is being sent to the DAC with the same noise level then it MUST sound the same.  Maybe in your example the noise level is different.

 

No my question was what is the distortion in the digital stream?  In theory every digital stream has a level of distortion with respect to a sequence of perfect square waves.  A perfect square wave is something that cannot exist in actual circuits, only on the design board.  But it doesn't matter, a figure of x% distortion in a train of pules will NOT equate to x% when we get to the analog domain.

 

I also, like Simon, could not understand what 0db is in a digital stream for much the same reasons as above.

 

A good sound card would not make things sound worse but it probably would have more positive impact if you were using its analog out and not feeding a DAC with digital.

 

I thought that the Mac mini only worked to a max word length of 16bits and I guess most Windows PCs have this limit with the basic sound cards they come with.  Or is this 16bit limit just an iTunes limit - just don't know tbh.

Posted on: 27 June 2014 by analogmusic
what a fantastic system 
 
 
Originally Posted by Steve J:

David v Goliath. 

 

Over the last few days I have had the new PS Audio DirectStream DAC on home demo. Today the humble Hugo arrived. Over the next few days I will evaluate and compare the two DACs.

 

The system is a basic MacMini, WD 8Tb dual Raid, iTunes, Audinirvana setup with a basic micro USB on the Hugo and a Chord Silver USB on the PS. The connection to the 552 is via a phono-DIN Hiline for both.

 

I'll not give anything away until I've finished comparing both of them. I have ALAC, hires FLAC and a couple of pure DSD files to play.

 

Watch this space!

 

Here's a pic of them together. As you can see the difference in size is enormous. In fact the PS Audio DAC is quite a bit bigger than the 552.

 

 

Steve

 

 

Posted on: 27 June 2014 by james n

The Mac (and iTunes) support 24 bit with no issues. 

Posted on: 27 June 2014 by analogmusic

erm chord Hugo a game changer?

 

to deserve that - it needs to compete favourable with an LP12

 

That's the day any digital source has the right to call itself a game changer

 

till then, it's just another digital source that allegedly sounds less harsh, also subjectively.

 

Anyway there is a lot more to the "less harshness" game for a digital source to compete with analog tape or analog sourced vinyl.

 

There is accuracy of the timbre, natural decay of notes, air and space, and sheer emotion and musicality.  Many things that can't be measured, but you know the real thing when you hear it.

 

to all the fans of the latest flavour of the month. Ignorance may be bliss, but it sometimes isn't the truth.

Posted on: 27 June 2014 by james n
Originally Posted by analogmusic:

erm chord Hugo a game changer?

 

to deserve that - it needs to compete favourable with an LP12

 

 

I don't get the fascination with LP12 comparisons. If that's your reference then you're going to be on a very long road to finding digital Nirvana.

 

Vinyl may be very good, but doesn't appeal to all. 

Posted on: 27 June 2014 by Big Bill

Ah!  I have answered my own question.  The hardware in a Mac Mini can do it but you need the software to do it.

 

ps looking at the specs on my Gigabyte motherboard it would seem that this can do HD too!  Well I never, I never trusted a PC for Audio but it looks like a might be wrong.

 

Have a read of an article about iTunes and HD: Read This

He says in this article that Apple won't do HD Audio for at least 3 years because ISPs won't like shifting a whole load of data out. But don't movies use a lot of bandwidth?  I suppose with music people may be listening for longer periods though.  An interesting article to read.

Posted on: 27 June 2014 by Big Bill
Originally Posted by Wat:

Bill 

 

We agree then that PCM is PCM irrespective of whether in FLAC or WAV.

Excellent - so no arguments there. 

 

 

i cannot hear any difference. Can you? 

 

I can hear a difference between DSD and PCM though Even though I now understand Hugo converts DSD to PCM for processing. I think I know why, but .... best to just say it sounds better to me. 

 

All the best, Wat 

Sorry Wat but now you really are confusing me old chap.  I thought you were saying that if your playback software converts FLAC to WAV at runtime then that sounds different to when it plays WAV at runtime???  Were you not saying that then?

 

No I have tried WAV and FLAC (converted from the WAV) and could detect no difference.  I have also tried using WAV and FLAC transcoded to WAV and heard no difference. 

 

FLAC is bit perfect and if you don't believe me then go to https://xiph.org/flac and look at their test suites, I think you can even download and run them yourself.

 

BB

Posted on: 27 June 2014 by tonym
Originally Posted by Wat:

 

Hugo needs the 5v to drive its USB. One tweak is use an iFI cable system. This kills the Mac 5v supply and replaces it with a regulated 5v supply, it also has RFI elimination and EMI elimination. Whether this tweak is useful is another matter. With a TEAC DSD DAC my ears say: yes. 

 

 

 

All the best, Wat 

 

I use an iFi supply between iMac and Chord DAC, and my ears also agree Mr Wat.

Posted on: 27 June 2014 by Brilliant

clarification

"

Hugo takes no power over its USB input (as this is severely limited with many partnering products) and only takes signal data, therefore, it is fully compatible with all iPhone, iPad and Android devices.."

 

"

...Hugo also benefits from two advanced USB inputs: one for legacy USB devices, plus a high-definition USB port for operation up to 384kHz ..."

 

Posted on: 27 June 2014 by Hook
Originally Posted by Wat:

...

I can hear a difference between DSD and PCM though Even though I now understand Hugo converts DSD to PCM for processing. I think I know why, but .... best to just say it sounds better to me. 

 

All the best, Wat 

 

Hi Wat -

 

I would hazard a guess that you prefer how the DSD version of the album was mastered.

 

This might be an interesting test: take any DSD file, and use Korg's Audiogate (free download) to create a FLAC version of that file.

 

Try to keep the sampling rate close -- say DSD64 versus a 24/88.2 or similar FLAC file, and then play both through the Hugo.  I am pretty sure that Hugo uses one, common output stage, so volume levels should match.  This should eliminate any differences in mastering, and the difference in sound quality, in theory, should come down to the decimation errors caused by the DSD-to-PCM conversion process.  More specifically, it will come down to a comparison of the two conversion processes: Audiogate's and Hugo's internal conversion of DSD to PCM.

 

If you can not hear a difference, then it is the mastering. If you do still hear a difference, I would be curious if that is Hugo-specific, or if you also hear a similar difference on your Teac dac.

 

But before you go to any trouble, I'd invite Aleg, S-i-S and others to comment on whether or not this would be a valid and/or useful experiment.

 

ATB.

 

Hook

Posted on: 27 June 2014 by james n
Originally Posted by Wat:

Thanks Brilliant, so iFI is mostly redundant with Hugo? 

 

It looks like in this case you'd be better off with a breaking the 5v line at the source.

 

Does the IFI just provide a regulated 5v or does it break the ground path from the source computer too ?

Posted on: 27 June 2014 by Brilliant
Originally Posted by Wat:

Thanks Brilliant, so iFI is mostly redundant with Hugo? 

 

no trouble Wat - the 5V would be redundant but does iFI offer better signal shielding than the standard cable? - I do not know.

Posted on: 27 June 2014 by Aleg
Originally Posted by Hook:
Originally Posted by Wat:

...

I can hear a difference between DSD and PCM though Even though I now understand Hugo converts DSD to PCM for processing. I think I know why, but .... best to just say it sounds better to me. 

 

All the best, Wat 

 

Hi Wat -

 

I would hazard a guess that you prefer how the DSD version of the album was mastered.

 

This might be an interesting test: take any DSD file, and use Korg's Audiogate (free download) to create a FLAC version of that file.

 

Try to keep the sampling rate close -- say DSD64 versus a 24/88.2 or similar FLAC file, and then play both through the Hugo.  I am pretty sure that Hugo uses one, common output stage, so volume levels should match.  This should eliminate any differences in mastering, and the difference in sound quality, in theory, should come down to the decimation errors caused by the DSD-to-PCM conversion process.

 

If you can not hear a difference, then it is the mastering. If you do still hear a difference, I would be curious if that is Hugo-specific, or if you also hear a similar difference on your Teac dac.

 

But before you go to any trouble, I'd invite Aleg, S-i-S and others to comment on whether or not this would be a valid and/or useful experiment.

 

ATB.

 

Hook

Hook

 

When converting DSD to PCM there is always the question of what to do with the high frequency noise in DSD, what type of dithering to apply and whether to apply the 6dB volume correction because of the lower sound level of DSD.

 

Korg will offer you no noise filtering or soft rolloff or steep filtering.

 

For dithering I think most advanced algorithm from is Aqua dithering.

 

And I would apply 6dB volume correction as this is standard difference between DSD levels and PCM levels.

 

but the comparison will contain the noise filtering and dithering, so it can't be a straight one-on-one comparison with just a DSD to PCM 'resampling'.

 

one could turn of all filtering and dithering but I don't think you'll get an honest conversion.

 

cheers

 

aleg

 

Posted on: 27 June 2014 by Bart

Interesting, Aleg; thanks for that!

Posted on: 27 June 2014 by Big Bill
Originally Posted by Wat:

Bill

 

Sorry missed your final question. I have the same attitude to Microsoft as UKIP has to the European Union. So it's not a viable option for me.

 

All the best, Wat 

Me too but with Apple!

 

btw what is JRMC?

Posted on: 27 June 2014 by Hook
Originally Posted by Aleg:
...

 

one could turn of all filtering and dithering but I don't think you'll get an honest conversion.

 

cheers

 

aleg

 

 

Thanks Aleg. I don't think the internal filtering in the Hugo can be turned off. Watts definitely says that he strips out the high frequency DSD noise, but I do not recall him saying how he does it. I don't recall reading if the Hugo applies extra gain to DSD input, but I would guess it does.  Otherwise, I would think DSD files would sound noticeably quieter.

 

Oh well, it was worth a shot. In the end, it is merely an intellectual exercise. So long as Wat and others are enjoying DSD files played through the Hugo, that's all that really matters!

 

ATB.

 

Hook